Review - The Parting of the Ways

Season 1 comes to a dramatic conclusion, as does Christopher Eccleston's all too short tenure as The Doctor in The Parting of the Ways.

Season 1, Episode 13 - The Parting of the Ways

We pick up this story with The Doctor and Captain Jack flying off to rescue Rose from the recently revealed Dalek armada. Here I get a little confused as to why all of the sudden the TARDIS is apparently defenseless. I thought it always had some kind of shielding, but I could be somewhat confused. After bodging up a shield using the Extrapolator we get treated to a nice long conversation with the Emperor Dalek, wherein we learn it has a God Complex and it loonier than usual.

After The Doctor, Jack and Rose escape, there was an awkward bit of sexual tension back on the Game Station between The Doctor and Lynda. I thought they were hinting at that in Bad Wolf, but wasn't sure until the weird, kiss-no-hug-no-shake moment. Very strange, and possibly one of the few Hunka hunka burning Doc moments with Nine.

As the Doctor begins enacting his plan to foil the Daleks (not really using the Sonic Screwdriver much if at all), he forcibly evacuates Rose back home using Emergency Program 1. Rose then has a significant culture shock freak-out. Her speech about how The Doctor teaches you to lead a good life was inspired, and very well delivered. It really dug its claws into me for some reason. Maybe because I sort of feel that way about The Doctor myself in a way.

The Doctor showed me a better way of living your life. You know, he showed you too. That you don't just give up. You don't just let things happen. You make a stand. You say, "No." You have the guts to do what's right when everyone else just runs away...

I loved the classic flying saucer design of the Dalek ships, and the flood of Daleks pouring out of them was a fantastic sight. We also saw our first specialist Dalek of New Who in the form of a blowtorch wielding one. We also got to hear some classic Dalek lines:

"I cannot see! My vision is impaired!"

Then the big companion tease with Lynda is ended with a silent, "Ex-ter-mi-nate!" You can't hear the Dalek say it, but you know what each flash of those lights means. Little details like that are always appreciated here. When Jack's time came, he copped it sweet, and it would have been a perfect ending for him if things went differently.

Captain Jack Harkness. Dying, like a BOSS!!!

There's a lot of ethical agonising over killing all life on Earth to destroy the Daleks, and you could see the conflict in Eccleston's face as that scene played out. The Doctor chooses not to be that man again and to face the consequences of that decision. Rose channeling the Time Vortex gives a handy out to that problem, and if she'd showed up a couple of minutes earlier, we could have been in for a repeat of the end of Boom Town. I was glad the Doctor made his choice before Rose's return.

I can't work out if I liked Time Vortex Rose or not. Was she nailing the performance, or failing badly? In the end I just went with it. I'm confused as to why absorbing the power of the Time Vortex was fatal to The Doctor, but not to Rose. She had the power for much longer and suffered no ill effects beyond passing out. I suppose this is likely a symptom of Eccleston suddenly leaving the program though. And quite why The Doctor had to kiss the Time Vortex out of her, I can't begin to imagine.

The Doctor prescribes 200 CCs of Lurve.

So, all told this was a solid episode, and a great way of ending the season despite the quite literal Deus Ex Machina ending. It was also a reasonable send-off for Eccleston, who, as I've said before, was woefully under-rated as The Doctor. If we'd have had another season or two with him, I think more people would appreciate Nine.

9/10

Can we fix it?

Not really, no. I know I haven't given this one a straight 10, but I can't really pick where it could be improved. Perhaps the way it ended makes it feel a bit rushed. Rose is able to deal with the Dalek threat in a literal instant, making The Doctor's 20 minute struggle to get the Delta Wave generated seem a bit of a waste fo time. A bit of explanation on how Rose survived the Time Vortex but it caused The Doctor to regenerate would be nice. All it needed was a throwaway line during the Regeneration sequence.

Minor tweaks, anyway. Still totally re-watchable.

Review - Bad Wolf

Stuff starts getting REAL as the season 1 season arc bears delicious Dalek-fruit in Bad Wolf.

Season 1, Episode 12 - Bad Wolf

Back we go to Platform 5, a century after The Doctor made his gross assumption that everything would go back to normal, only to find that it didn't. That worked well, didn't it Doctor? If only you'd asked where that Jagrafess had come from. Seriously though, I love to see The Doctor as fallible.

This time around the concept of televisual thought control is taken to the next logical step, with reality TV being the focus. As an added bonus of revisiting this episode, I also got to revisit some of the crappiest TV programming of the new millennium.

It really is a wonder this stuff didn't last.

The droids are all delightful representations of their real life inspirations, and the games work well as ways to destroy people. All except the What Not To Wear show, which really forced a way to kill the contestant. Those segments were the most entertaining though. John Barrowman plays it so well, clearly enjoying a chance to really ham it up as Jack. And did I see him grope one of the droids at one point?

Yes. Yes I did.

This episode has also given us our first Deadlock Seal to stop any Deus Ex Screwdriver. We got our first Torchwood reference too, starting that neat tradition of teasing the next season arc.

We get a bit of what I'm going to call Companion Tease, where Lynda shows an interest in traveling with The Doctor, and The Doctor shows an interest in letting her. Or is that just an interest in her. I couldn't really tell from this if there was supposed to be a romantic spark here or just an interest in travelling. Either way, this helps support Rose's "death" by making it feel like they're introducing a replacement.

She certainly seems the type.

The Controller was nice and creepy, and she was offered up as a solid Red Herring villain. Her death gave a good hint at who the Big Bad really was. We got a bit of monster vision when Rose woke up too, which again gave a strong hint. The revelation the enemy are Daleks plays out nicely, and the threat level of one Dalek established in the episode Dalek makes us understand this threat is near unbelievable.

It was interesting that The Doctor defied the Daleks when that were threatening Rose's life. I'm not sure he could have known they wouldn't just exterminate her. He did end it well though, and the closing shot of the interior of the Dalek ship was just ace, and left me hanging for The Parting of the Ways.

8/10

Can we fix it?

Well, my only real bugbear with this episode was the reality shows the crew ended up in at the start. Of all of them, I think Big Brother is the only one left on the air, so it hasn't aged well. The main issue was that the What Not To Wear show didn't have a realistic way of destroying people. This is a tough one, because those sequences were so entertaining, but I think they needed to either figure out another way to get the disintegration ray into that show, or put Jack in a different show altogether. Perhaps some version of The Bachelorette would have allowed Jack to give us some awesome Jack moments but still retain the element of elimination common to the other two shows.

Bring on part two!

Review - Boom Town

After wearing out the edge of my seat over the past two episodes, I was able to firmly plant both cheeks on it for the rather ponderous Boom Town.

Season 1, Episode 11 - Boom Town

There was pretty much no reveal in this episode, which is understandable considering the villain. We know Margret's face from Aliens of London / World War Three, so there's no real reason to keep the Slitheen hidden. Strange how the farting seemed less of an issue in this episode. We get a few early on, but not one during the date. Perhaps Margret was holding it in. I suppose we've all been there on a first date.

Jack continues to prove a valuable addition to the cast. The dynamic is great with the three of them. Sadly Mickey, who gained ground in the competency stakes in Aliens of London / World War Three is set up as the stooge of this episode. He's specifically shown in a shot for shot comparison to not match up to Captain Jack, and I think overall he is once again, unfairly treated.

Things get a bit philosophical in parts. There's lots of deep back and forth which all boils down to nature vs nurture. We get a bit of a theme of new beginnings here, both for Blaine and for Mickey. I was so happy to see Mickey give Rose a serve here. God knows she deserved it. And it was a sweet serve too:

We were nice. We were happy. And then what? You give me a kiss and run off with him and so make me feel like nothing, Rose. I was nothing.

Just what needed saying.

This episode had a lot of tie-ins to the season arc. The Doctor actively recognised the Bad Wolf connection, and although he supposedly brushed it off as a coincidence, we all know he's worried about it. We also get introduced to The Heart of the TARDIS, cutting down on the exposition needed there. Of course, the TARDIS having to refuel sort of goes against the established background of the Eye of Harmony which reappears to contradict this again in Journey to the Centre of the TARDIS.

Of course, the In-Who-Endo keeps coming with Jack still around. Even The Doctor got in on it, implying he'd give Jack some sugar if Jack bought him a drink. Mickey at least pointed it out, calling Jack "Captain Innuendo". I do think Blaine's line to The Doctor, "Dinner and bondage. Works for me" was a step too far.

...aaaaand we're back to horror.

We also get another instance of shocking Deus Ex Screwdriver, with The Doctor "de-teleporting" Blaine several times. How is that even supposed to work?

Sadly, the whole episode drags horribly. There's a lot of talk, which in itself is well played out and touches some interesting themes, but unfortunately the actual threat is underdeveloped. The ending seemed a bit rushed, with anything really threatening happening in the last 10 minutes.

We've been talking for half an hour and the kids are losing interest.Quick, make something explode!

It was a bit of a cop out, really. Quite literally Deus Ex Machina, with the TARDIS acting as a Genie to grant wishes and make everything all right again. I'd have preferred to see what The Doctor would actually have done with Blaine.

This isn't one I'd go out of my way to re-watch.

5/10

Can we fix it?

This would pretty much require a total re-write. All we can really do is minimise the damage by cutting out the big-ticket problems.

The de-teleport gag was only mildly amusing, and not worth giving the Sonic Screwdriver more power for. I'd have dumped it altogether, or have The Doctor come up with some other way of interrupting the teleport signal and looping it. It could even have come out funnier if The Doctor didn't seem to actually be doing anything until he pulls out a small device, revealing it to be a "short-range teleport interference loop" or similar.

Much of the meat of this episode deals with the moral dilemma The Doctor should be facing. It really feels like the audience is being ripped off by having that dilemma neatly taken away. I just can't think how else to end the story though. I'd like to think we could have been introduced to the Hearth of the TARDIS without the egg ending, but also then have The Doctor show mercy despite Blaine's actions, warning her he'llbe keeping an eye on her.

It still wouldn't be a great episode, but I'd have less to complain about.

Review - The Doctor Dances

The Empty Child drew me in and put me on the edge of my seat, and now it's time for a good, hard, emotional kick to the guts with the story's conclusion, The Doctor Dances.

Season 1, Episode 10 - The Doctor Dances

The dialogue between Jack, Rose and The Doctor is a particular highlight. Say what you (or I) will about Steven Moffat as show runner, the man can write great dialogue. We learn a lot about Jack and get some interesting hints at the Time Agency. Jack really had a lot of potential as an ongoing companion. Again, I didn't watch Torchwood, but Jack was a lot of fun when he showed up in Doctor Who, and I think he set a nice dynamic with The Doctor and Rose.

"Well, I've got a banana and, in a pinch, you could put up some shelves."

The In-Who-Endo continues this episode with Mr Lloyd exposed as "having it off" with the butcher, Algie is confirmed as gay and we have The Doctor's revelation of humanity's future pan-sexuality. Taken in isolation, this story is almost entirely about sexual tolerance. Not only do we have the aforementioned In-Who-Endos which juxtapose each other through how the same behaviour is tolerated across time periods, but Nancy's status as a teenage single mother and the apparent social pressure to lie about it was the cause of a lot of the trouble.

Using the euphemism of Dancing was a good choice, as it keeps the show family friendly whilst at the same time subtly introducing that theme of acceptance and inclusiveness to all audiences. As great as this message is to get out there, it doesn't need to happen all the time, Steven. I'm going to look at this episode in isolation of the future occurrences and not judge it harshly because of the In-Who-Endo.

Not Safe For Work

There's a lot of interplay between Jack and The Doctor about the Sonic, and the general consensus is that it's a fairly useless tool. Of course that's from the perspective if it being a weapon, which is fine. The Screwdriver itself is a bit inconstant throughout this story. We saw it being used as a scanner and to open locks in The Empty Child, but in this episode, whilst it can seemingly be used to reattach barbed wire (apparently by growing it), The Doctor can't use it to cut through the window bars, instead having to try to create a "resonance pattern" in the concrete.

The creepiness keeps coming, as does the witty banter, but this episode is injected with a healthy dose of heart-wrenching drama too. Florence Hoath's performance as Nancy is fantastic, and she is a huge part of the reason that this is the first (of many) Doctor Who episodes to bring a tear to my eye. The penultimate scene was masterfully crafted, with the performances, music and effects all working together to hit me right in my sense of parental protectiveness.

I've just got something in my eye.

This is yet another classic. The story as a whole is second to Dalek only because it doesn't have Daleks. Everybody loves Daleks.

10/10

Can we fix it?

As I said, there's a lot of sexual innuendo in this episode, but I'll ignore the future trend and look at that as the theme of this episode. If I was going to focus on anything here it would be the use of the Sonic Screwdriver. I'd have liked to see The Doctor explain that he was trying to create that resonance pattern in the concrete because it would be quicker than trying to cut through the bars. I'd also have liked to see the Sonic reattach the barbed wire by fusing or welding it together, rather than the wire regrowing to fill the gap. One looks like science, the other looks like magic. It's best we stay away from magic.

Either way, these are just nit-picking, and I'm happy to ignore them because the episode didn't really give me time to focus on them.

Review - The Empty Child

Season one continues to dish up the gold with the first installment of its second two-parter, The Empty Child.

Season 1, Episode 9 - The Empty Child

Of course in this, the first episode to feature Captain Jack Harkness, we have to expect a certain level of In-Who-Endo. I'm not sure, however, that all of it was necessary. That bit about red being camp? Could have done without that.

Jack's interaction with Rose is pretty full-on. We get a very clear indication of Rose's romantic intentions. I'm starting to understand her on this front a bit more as we go along. She's like a backpacker with a boyfriend back home; quite happy to put it about when she can, but still wants to keep Mickey on the bench.

Sure, we can hook up. But nothing serious. I'm fruit picking in Mildura next week.

We see the Sonic Screwdriver used quite a bit. The Doctor opens a lock with it, but then uses it to scan the patients. I suppose it could be a kind of Ultrasound maybe, but it's getting a bit Deus Ex Screwdriver.

Whilst in the hospital, we had another neat little hint at The Doctor's past and The Time War when Doctor Constantine says, "Before this war began I was a father and a grandfather. Now I'm neither, but I'm still a doctor," with The Doctor replying "Yeah, I know the feeling."

I've gotta say, "Are you my mummy?" is quite possibly the scariest line of the series. The reveal of Jamie is masterfully played out. Short and distant glimpses at the start followed by lots of voice (that line) and then when we do see him up close, he looks sort of normal. Just a boy in a mask. Sure he's creepy as hell, but still just a boy. Things only get really scary in the Hospital when we see the boy is not the whole problem, but the "plague" he is spreading.

A creepy, creepy plague

The music seemed to stand out a lot to me in this episode. Could be because there was a fair bit of tense wandering about with not a lot of dialogue. The music really helped amp up the already considerable tension.

There is something inherently disturbing about a gas mask. The blank glassy stare of the eye holes. The way the rubber meets the skin. It's entirely alien but at the same time familiar. Put one on a kid, and it evokes all kinds of terror.

Abject, pants-soiling terror

I think what I'm saying is that this episode hits horror spot on. At the same time it supports the creepiness with some nice light-hearted comedy around Rose and Jack. We are introduced to Nano Genes early and naturally, meaning the ending of The Doctor Dances is not telegraphed.

This one's a definite favourite.

10/10

Can we fix it?

Not much to do here. The only small issue is that little gay joke at the start, but other than that, it's golden.