Season 9 wrap-up

As Season 9 comes to a close, let's have a little look back.

My scores

Episode 1 - The Magician's Apprentice 9/10
Episode 2 - The Witch's Familiar          7/10
Episode 3 - Under the Lake                   8/10
Episode 4 - Before the Flood                 6/10
Episode 5 - The Girl Who Died             9/10
Episode 6 - The Woman Who Lived     10/10
Episode 7 - The Zygon Invasion            9/10
Episode 8 - The Zygon Inversion         10/10
Episode 9 - Sleep No More                    9/10
Episode 10 - Face the Raven                 8/10
Episode 11 - Heaven Sent                    10/10
Episode 12 - Hell Bent                           8/10

                              Season Average =  8/10

This season started off quite strongly with The Magician's Apprentice, but then again, I'm a sucker for Davros. Sadly this story fell short in the conclusion, as dos the next one. After this little false start, the season was very solid. The introduction of Ashieldr was a breath of fresh air. It's always fun when someone can challenge The Doctor, and Maisie Williams was superb in the role.

The loss of Clara was probably about due. As I've said before though, its impact was considerably lessened by the addition of two more episodes with her appearing, and the knowledge that she had what was likely a considerable life after that. Her death went from a cautionary tale about the dangers of hubris to essentially showing her being rewarded for her arrogant behaviour with effective immortality.

For all that though, I know I would love to watch at least a little bit of the Clara and Ashieldr show. The things those girls could get up to.

Have fun, you crazy kids!

Ongoing problems

Thinking about my pet peeves, Season 9 had:

• A whopping 6 episodes with In-Who-Endos
• 3 episodes that resorted to Deus Ex Screwdriver
• 2 episode with problems associated with Needlessly Recurring Monsters
• 1 instance of there being Too Many Monsters
• 1 episode that got a little bit Go, go, go, Geronimo!

I'm not sure, but this could be a record with regards to In-Who-Endos. Most of them added nothing as well, like Clara's couple of references to a lesbian fling with Jane Austin. It's so frustratingly unnecessary.

I thought with the early loss of the Sonic that we'd get less Deus Ex Screwdriver this season, but the immediate introduction of the seemingly even more powerful Sonic Sunglasses kept it relatively alive. Still not as bad as some seasons for actual usage, but as a concept, the sunglasses annoyed me no end. I'm glad to see them go, even if the new design of the sonic is a bit... elaborate.

Add more glowing bits!

The large number of two-parters has all but eliminated Go, go, go Geronimo! as an issue. That said, a couple of those two-parters were probably more like loosely related standalone episodes. The Girl Who Died / The Woman Who Lived could easily have been split up with no loss of coherency. Similarly, Face The Raven, Heaven Sent, and Hell Bent were only technically the same story because each picked up immediately after the last and were steps in getting The Doctor to Gallifrey. The stories themselves were reasonably separate.

I'll also point out that most of the stories showed The Doctor in his new Rock and Roll guise, playing the electric guitar for no real reason. I'm categorising this as his Annoying Catch Phrase, and very much got to the More of the Same stage.

Season Arc

The Hybrid arc was one of the most blatant since the reboot. Davros fully explained the prophecy in the second part of the first story, so it was out there early. This meant we had to have several stories that attempted to pile confusion onto the situation by adding a bunch of things that could be referred to as Hybrids like Ashieldr and Osgood.

In some ways, I felt this arc didn't have enough time to play out. Perhaps this is the one drawback of having so many two-parters. It would have been nice to see this arc play out over a longer period. There are a bunch of other things that could possibly be considered Hybrids that could also have been referenced here. River Song is basically a Hybrid. Rose Tyler absorbed the Time Vortex, so maybe that counts. Then there's the Doctor Donna and even Cyber-Danny. References to these as possibilities of being the prophesied Hybrid would have allowed a greater tease and more confusion.

Another way to fix this would be to reorder the episodes. Having Davros' story coming after initial teases of the Hybrid would allow more subtle references to possibly go over audiences heads, only to have Davros reveal the truth around mid-season. A good reordering of the season would be:

Episode 1 - The Zygon Invasion
Episode 2 - The Zygon Inversion
Episode 3 - The Girl Who Died
Episode 4 - Under the Lake
Episode 5 - Before the Flood
Episode 6 - The Woman Who Lived
Episode 7 - The Magician's Apprentice
Episode 8 - The Witch's Familiar
Episode 9 - Sleep No More
Episode 10 - Face the Raven
Episode 11 - Heaven Sent
Episode 12 - Hell Bent

There would of course need to be a couple of minor re-writes, but I feel like this would work quite well. We'd start with the very strong Zygon story which ends with The Doctor looking all shifty when Osgood refers to herself as a Hybrid (rather than him using the term). This wouldn't mean anything to audiences yet, but The Doctor's reaction would show it's important. I'd then downplay the reference to Ashieldr as a Hybrid at the end of The Girl Who Died by not actually using the term. Saying she is part Human, part Mire would be enough. By splitting up the Ashieldr stories, you give audiences time to forget about the Hybrid. Sticking the Fisher King story in there would add confusion by referencing the Minister of War, which I originally took as the season arc, coming as it did straight after the Hybrid thing seemed to be resolved.

After the events of The Woman Who Lived, The Doctor gets depressed about the Hybrid, because he has realised (wrongly) that Ashieldr is it, so he goes on his bender, and we get the Davros story. A quick break from that whole thing with Sleep No More, then into the three-part finale to wrap the season up.

Another small benefit of putting the Davros story mid-season is that The Doctor doesn't lose his sonic, and therefore the Glasses don't need to exist for most of the episodes!

More of the same

Something I've been thinking about for a while now is the concept that the writers of Doctor Who are concentrating more on elements of fan service than writing good episodes. This can rear its head in several different ways, and although it doesn't automatically mean the episode will be bad, it can certainly limit the potential.

A few of the things that I would classify as fan service have broader implications and I have discussed or will discuss in greater detail. Things like the sexualisation of The Doctor and forced inclusion of certain fan-favourite monsters where they don’t really fit. Others are minor quibbles, but when stacked together indicate to me there is a strong desire to pander to the fandom.

"And why not?" you may ask. The fans are the audience. Who are you writing for if not them? Yes, the fans are the audience, but a writer should never let the nebulous "them" dictate direction. Just ask George R R Martin. Fans may love a particular aspect, story or monster, but forcing in more of it doesn't automatically make things better. More often than not it retroactively makes the original thing seem worse.

Sexy Doctor

During Season 2 the relationship between The Doctor and Rose was edging towards platonic. Around this time we got The Girl in the Fireplace, which showed The Doctor's sexual side. This episode was very well received critically and by fans, which may have opened the door to more of these sexual antics from The Doctor, particularly under Moffat's tenure as show runner. He did write that episode, after all.

The beginning of the end.

This all came to a head for me during the 2013 Christmas Special and Matt Smith swan song, The Time of The Doctor. We open that episode with The Doctor prancing about naked and offering to be Clara's boyfriend for realsies, and progress to hyper-sexual innuendos with the leader of the Space Catholics whilst sitting on an alter-shaped bed.

I won't go on about this one, as I've covered it more thoroughly in my article about Hunka hunka burning Doc.

Steampunk Tendencies

I've noticed that Steampunk / Doctor Who mash-ups are a strikingly abundant cosplay theme out there. The crossover between the two subcultures of Steampunks and Whovians is significant. I don't know why it exists, but I'm sure it is the reason for the seeming increase in Steampunk influences in the show of late. Seasons 1-6 each saw a single episode that could fall under the broadest banner of Steampunk, either due to the time period, or the general style. The only season in this time that didn't was Season 4, where the closest is The Unicorn and the Wasp set in 1926.

At the same time, some people may be tempted to include Season 2's The Girl in the Fireplace because clockwork also features heavily in Steampunk. Add to that the three Christmas Specials across this time with Steampunk influences, and you've got eight or nine Steampunky episodes across six seasons. Season 7 then added half that number again with a total of three Steampunky episodes and the 2012 Christmas Special. Of course, it's entirely possible that this is purely coincidental, but I don't think so.

Possibly the Steampunkiest picture you can get without cog wheels.

With the advent of Season 8, however, we saw only one Steampunk episode, which combines the not-quite-Steampunk Clockwork Men with the definitely Steampunk Victorian London setting and, yet again, the Paternoster Gang. Perhaps this was the last hurrah for this particular theme. Time will tell, I suppose.

Another explanation lies in the fact that the Paternoster Gang appear in the last four Steampunk-themed episodes. In that case, it's not so much playing the Steampunk angle as it is trotting out Vastra and company at every opportunity. I've said before, I love the Paternoster Gang and if they had a spin-off, I'd watch the crap out of it, but much like the Needlessly Recurring Monsters, pulling these sorts of supporting characters out too much does lessen their impact.

Rockin' Doctor

And now we enter the Capaldi Age, and we are seeing these kind of things drop off a bit. Twelve is not the heart-throb Ten and Eleven were, and as noted, the Steampunk thing seems to have run its course. But now we are seeing something I can only think of as "Fan Bait", giving the fans something else tangible to focus on as a defining feature, rather than the already different and, in my opinion much more interesting, coldness and moral ambiguity he's been displaying since regenerating.

They are setting The Doctor up with some kind of rock and roll image, complete with electric guitar and those damned Sonic Sunglasses. Now it was fun to see The Doctor ride into that scene on a tank with his sunglasses and guitar. It worked in the context of his strange state of mind at the time. But now it seems we will get treated to a bit of a riff every other episode. And those glasses. I can't say enough how much I hate those glasses. They are probably going to be the equivalent of his Annoying catchphrase.

How did playing the guitar add to his explanation of a Bootstrap Paradox?

The main bit of evidence I have to suggest this is planned comes from the regular feedback surveys the BBC sends out to their Doctor Who Consumer Panel members. Each survey this season has asked respondents to pick two words from a list that describe The Doctor in the episode. One of the listed words is "Rock and Roll." I suppose it could have been there because of the scene in the first episode, but it has remained there in the ensuing three episodes, even the ones where he did not play the guitar. The Marketer in my kinda understands the need to have consistent survey structure, but it also knows that including it as an option was very leading. I feel like any results they get with that ticked will somehow support the Sunglasses, and I can't accept that.

Same Ol' Same Ol'

The thing to remember is that there is a law of diminishing returns at play here. What is awesome the first time becomes good the second time, okay the third and so on. To maintain the same reaction, you need to keep making the thing bigger and better until eventually you get so ridiculous that it becomes a bit of a joke. First we get The Doctor letting a woman into his hearts, but before long he has a list of conquests a mile long. Fans lock into a particular character or monster enough for them to see significant representation amongst cosplayers and BAM! Weeping Angels everywhere!

As the saying goes, "All things in moderation." The Doctor blasting out a couple of songs on an electric guitar whilst wearing sunglasses and riding a freaking tank it pretty awesome. By the end of the season it's just going to be boring.

So essentially, what I'm getting at is that the show has been bogged down in this regurgitation of the same old stuff over and over in an attempt to please the fans, but in the case of this fan, all it is doing is making the show feel stale. Whilst the Capaldi Era appears to be trying to shake things up, it also seems to be falling immediately into the same traps. I hope we can find the balance of keeping things fresh without just turning the show into a procession of memes.

The "Steampunk" episodes

For reference, here's a list of the episodes I was including in my count of Steampunk influenced episodes:

• Season 1 - The Unquiet Dead (1869)
• Season 2 - Tooth and Claw (1879)
• Season 3 - Human Nature/The Family of Blood (1913)
• Christmas 2007 - Voyage of the Damned (retro-futurist steam liner)
• Christmas 2008 - The Next Doctor (1851)
• Season 5 - Vincent and the Doctor - (1890)
• Christmas 2010 - A Christmas Carol - (retro-futurist Dickensian)
• Season 6 - A Good Man Goes to War - (Madame Vastra and Jenny)
• Season 7 - A Town Called Mercy (Wild West, late 1800s); The Snowmen (1892); The Crimson Horror (1893); The Name of the Doctor (some time in 1893, plus the look of the Whispermen)
• Season 8 - Deep Breath (Victorian London and the Paternoster Gang)