Season 9 wrap-up

As Season 9 comes to a close, let's have a little look back.

My scores

Episode 1 - The Magician's Apprentice 9/10
Episode 2 - The Witch's Familiar          7/10
Episode 3 - Under the Lake                   8/10
Episode 4 - Before the Flood                 6/10
Episode 5 - The Girl Who Died             9/10
Episode 6 - The Woman Who Lived     10/10
Episode 7 - The Zygon Invasion            9/10
Episode 8 - The Zygon Inversion         10/10
Episode 9 - Sleep No More                    9/10
Episode 10 - Face the Raven                 8/10
Episode 11 - Heaven Sent                    10/10
Episode 12 - Hell Bent                           8/10

                              Season Average =  8/10

This season started off quite strongly with The Magician's Apprentice, but then again, I'm a sucker for Davros. Sadly this story fell short in the conclusion, as dos the next one. After this little false start, the season was very solid. The introduction of Ashieldr was a breath of fresh air. It's always fun when someone can challenge The Doctor, and Maisie Williams was superb in the role.

The loss of Clara was probably about due. As I've said before though, its impact was considerably lessened by the addition of two more episodes with her appearing, and the knowledge that she had what was likely a considerable life after that. Her death went from a cautionary tale about the dangers of hubris to essentially showing her being rewarded for her arrogant behaviour with effective immortality.

For all that though, I know I would love to watch at least a little bit of the Clara and Ashieldr show. The things those girls could get up to.

Have fun, you crazy kids!

Ongoing problems

Thinking about my pet peeves, Season 9 had:

• A whopping 6 episodes with In-Who-Endos
• 3 episodes that resorted to Deus Ex Screwdriver
• 2 episode with problems associated with Needlessly Recurring Monsters
• 1 instance of there being Too Many Monsters
• 1 episode that got a little bit Go, go, go, Geronimo!

I'm not sure, but this could be a record with regards to In-Who-Endos. Most of them added nothing as well, like Clara's couple of references to a lesbian fling with Jane Austin. It's so frustratingly unnecessary.

I thought with the early loss of the Sonic that we'd get less Deus Ex Screwdriver this season, but the immediate introduction of the seemingly even more powerful Sonic Sunglasses kept it relatively alive. Still not as bad as some seasons for actual usage, but as a concept, the sunglasses annoyed me no end. I'm glad to see them go, even if the new design of the sonic is a bit... elaborate.

Add more glowing bits!

The large number of two-parters has all but eliminated Go, go, go Geronimo! as an issue. That said, a couple of those two-parters were probably more like loosely related standalone episodes. The Girl Who Died / The Woman Who Lived could easily have been split up with no loss of coherency. Similarly, Face The Raven, Heaven Sent, and Hell Bent were only technically the same story because each picked up immediately after the last and were steps in getting The Doctor to Gallifrey. The stories themselves were reasonably separate.

I'll also point out that most of the stories showed The Doctor in his new Rock and Roll guise, playing the electric guitar for no real reason. I'm categorising this as his Annoying Catch Phrase, and very much got to the More of the Same stage.

Season Arc

The Hybrid arc was one of the most blatant since the reboot. Davros fully explained the prophecy in the second part of the first story, so it was out there early. This meant we had to have several stories that attempted to pile confusion onto the situation by adding a bunch of things that could be referred to as Hybrids like Ashieldr and Osgood.

In some ways, I felt this arc didn't have enough time to play out. Perhaps this is the one drawback of having so many two-parters. It would have been nice to see this arc play out over a longer period. There are a bunch of other things that could possibly be considered Hybrids that could also have been referenced here. River Song is basically a Hybrid. Rose Tyler absorbed the Time Vortex, so maybe that counts. Then there's the Doctor Donna and even Cyber-Danny. References to these as possibilities of being the prophesied Hybrid would have allowed a greater tease and more confusion.

Another way to fix this would be to reorder the episodes. Having Davros' story coming after initial teases of the Hybrid would allow more subtle references to possibly go over audiences heads, only to have Davros reveal the truth around mid-season. A good reordering of the season would be:

Episode 1 - The Zygon Invasion
Episode 2 - The Zygon Inversion
Episode 3 - The Girl Who Died
Episode 4 - Under the Lake
Episode 5 - Before the Flood
Episode 6 - The Woman Who Lived
Episode 7 - The Magician's Apprentice
Episode 8 - The Witch's Familiar
Episode 9 - Sleep No More
Episode 10 - Face the Raven
Episode 11 - Heaven Sent
Episode 12 - Hell Bent

There would of course need to be a couple of minor re-writes, but I feel like this would work quite well. We'd start with the very strong Zygon story which ends with The Doctor looking all shifty when Osgood refers to herself as a Hybrid (rather than him using the term). This wouldn't mean anything to audiences yet, but The Doctor's reaction would show it's important. I'd then downplay the reference to Ashieldr as a Hybrid at the end of The Girl Who Died by not actually using the term. Saying she is part Human, part Mire would be enough. By splitting up the Ashieldr stories, you give audiences time to forget about the Hybrid. Sticking the Fisher King story in there would add confusion by referencing the Minister of War, which I originally took as the season arc, coming as it did straight after the Hybrid thing seemed to be resolved.

After the events of The Woman Who Lived, The Doctor gets depressed about the Hybrid, because he has realised (wrongly) that Ashieldr is it, so he goes on his bender, and we get the Davros story. A quick break from that whole thing with Sleep No More, then into the three-part finale to wrap the season up.

Another small benefit of putting the Davros story mid-season is that The Doctor doesn't lose his sonic, and therefore the Glasses don't need to exist for most of the episodes!

Review - Hell Bent

After forcing his way out of his Confession Dial, The Doctor takes on Gallifrey, Hell Bent on saving Clara.

Season 9, Episode 12 - Hell Bent

We start this episode with The Doctor entering the diner from The Impossible Astronaut. There he meets a waitress who looks like Clara, and begins telling her a story.

The story follows directly on from the events of Heaven Sent, with The Doctor finding his way back to the barn of his childhood first seen in Day of the Doctor and revisited again in Listen. Here he is treated as a returning hero, a fact that only makes the Timelord High Council even more nervous. After refusing several personal visits of increasing importance, he eventually receives Rassilon himself. 

Even negotiations

The Doctor is in no mood to parley though, and he immediately orders Rassilon off "his planet." Rassilon responds by ordering his soldiers to fire on The Doctor. The do, but every one of them elects to miss. This is shortly followed by a mass desertion. Rassilon makes to finish the job with his gauntlet, but is stopped by The General. Cut to a shuttle leaving the planet. 

The Timelords still want to know about the Hybrid though, and The Doctor convinces them they need to speak to Clara about it. Using some Timelord jiggery-pokery, they extract Clara from her final moments in order to find out what she knows, her body time looped in its final heartbeat. 

Of course it's all a ruse so that The Doctor can save Clara. They run. The Doctor is manic, and you can see he doesn't fully believe what he's attempting will work. But being The Doctor, he tries it anyway. Eventually stealing another TARDIS, he pushes to the end of the universe, trying to break Clara out of the time loop. When they arrive, he finds Ashieldr waiting. She's managed to out live the universe. 

She doesn't look a day over a billion

We get treated to some banter about the nature of the Hybrid, with theories flung back and forth. Whilst Ashieldr's theory is supposed to be the one we believe, there is still enough wiggle room to bring something else into play. Perhaps for Christmas. We know River will make an appearance, and she's pretty much a Human/Timelord hybrid. It'd be fun if my bit about Missy came to pass though. Half Timelord, half Cyberman fits the prophesy too.

The Doctor also reveals he plans to use a neuro blocker to erase Clara's memories of him, in much the same way hid did with Donna Noble. After finding this out, Clara forbids it, saying her past is hers, and he has no right to rob her of it. With Clara having supposedly sabotaged the neuro blocker, they both decide to use it, with one of them sure to forget the other.

For a change it is The Doctor who is left abandoned, waking up in the Nevada desert. Eventually it is revealed that the Diner itself is the TARDIS they just stole from Gallifrey, and Clara and Ashieldr set off to return Clara to Gallifrey so that she can die as destined. Of course, Clara notes that because she is not aging at all, they can go "the long way round".

The Doctor returns to his TARDIS, where he receives one final message from Clara, along with his new Sonic Screwdriver. Thank the Gods, we have seen the last of those bloody sunglasses.

Victory!

All up this was a solid episode that tied everything together without trying too hard. My major issue was that nothing much actually seemed to happen. Much of the episode consisted of The Doctor telling Clara stuff. Or more accurately, The Doctor telling Clara about telling Clara stuff. It was a shame Timothy Dalton couldn't reprise the role of Rassilon. It took me a bit to realise he actually was Rassilon, and not some other Lord President. And now we've had an actual on-screen gender-swapping regeneration. I hope this keeps people satisfied for a while and they stop demanding it of The Doctor.

The whole bit in the Cloisters with random Daleks, Cybermen, and freaking Weeping Angels was a bit ripe. Had the whiff of Too many monsters, that did, especially as they'd just introduced a fairly interesting new Monster in the Sliders, which got rather overshadowed by these cameos. The Matrix is an interesting thing though, an it is clear that this was the technology Missy was using to create the Nethersphere in the Season 8 finale, and that would tie in nicely with my little idea for the Rani too.

Having Clara effectively still "at large" did, as I predicted, somewhat diminish her departure in Face the Raven. That said, how could you not get caught up in thinking about what her and Ashieldr could get up to in a TARDIS?

Not exactly perfection, but not a weak way to go out either.

8/10

Can we fix it?

Not a huge amount to do here, but first up, I'd dump all the additional monsters from the Cloisters. They added nothing but a few poor jump scares. The Sliders themselves are creepy enough, and could provide enough tension as the pair traversed the Cloisters.

I'm really not sure what to do about the big background dumps The Doctor has in this episode though. They are undoubtedly important, but just hearing The Doctor tell Clara stuff isn't exactly story telling at its best.

Review - Face The Raven

An old psudo-companion returns with some deadly new ink, and Clara's devil-may-care attitude finally catches up with her as she has to Face The Raven.

Season 9, episode 10 - Face The Raven

We jump into this episode at the end of an adventure, with Clara clearly having saved The Doctor in some kind of risky manner. The Doctor appears reluctantly impressed. This little moment is shattered as the TARDIS phone rings. Clara answers to hear Rigsy, last seen in Flatline, who claims to have woken up with a strange tattoo. A tattoo which is counting down.

The Doctor and Clara arrive to check things out, learning that not only does Rigsy have a baby, but he has lost the last 24 hours. His phone has been wiped, but it's screen has been cracked. The Doctor tries his best to be nice about it, but Rigsy is going to die. 

But at least he'll look fly doing it.

Despite initially seeming defeated, The Doctor does love a challenge, and the group set off to find a hidden street harbouring aliens. This naturally involves Clara leaning out of the TARDIS as it flies over London, scanning things with the Sonic Sunglasses. Before this turns into another case of Deus Ex Screwdriver, the team then have to wander around the target area counting and looking for areas where their concentration wavers. This is said to indicate the entrance to Diagon Alley. I mean the "trap street". 

After a bit of this wandering, Rigsy has a flashback to dropping his phone after seeing a body on the ground. This flashback has somehow broken the misdirection system that was disguising the entrance, and he is able to guide Clara and The Doctor in as well. 

Once inside, they discover the area is a refugee camp for asylum seeking aliens. The mayor of the camp is none other than Ashieldr, who has once again forgotten her name. It turns out she is responsible for marking Rigsy for death using a Chronolock which guides a Quantum Shade to the victim. When asked why, she reveals he killed one of the aliens sheltering in the street. 

After witnessing another alien killed by the Shade, which looks like the titular raven, Clara learns that the Chronolock can be passed on if willingly accepted by another. She convinces Rigsy to give the Chronolock to her in a bid to buy more time. Meanwhile, The Doctor discovers Rigsy had asked to call him when he was caught. Knowing Ashieldr must have ignored this plea, The Doctor becomes suspicious that she was using Rigsy to deliberately lure him there. Clara then realises that the only denizen of the street who isn't treating Rigsy as guilty is the child of the murdered Janus.

Clara's kid-wrangling comes into play again as she determines the Janus child isn't a male, but is in fact a female, and therefore has the power to see into past and future. Despite this she is unable to determine all of Ashieldr's motivation, because it involves The Doctor, who's own timeline is convoluted, to say the least. 

All this leads the team back to the murdered Janus' body, which is being kept in stasis. The Doctor realises she is alive, but the machine can only be switched off using his TARDIS key. With time running out, The Doctor does what is needed. The Janus is released, but not only does the machine take his key, it also locks a teleport bracelet on The Doctor's wrist. Ashieldr explains that in true Lando Calrissian fashion, she has brokered a deal to keep the street safe in exchange for The Doctor. Taking the key was simply a way of keeping him wherever he is to be sent. 

Ashieldr moves to remove the Chronolock from Rigsy, but is horrified to learn he has given it to Clara. On her recklessness, Clara failed to realise that transfer was one way, and removed any right of revocation Ashieldr had.

Not sure if dying, or curing the Warden's wife.

The episode them runs through an extended farewell ending in Clara's inevitable death. Ashieldr is genuinely remorseful that things turned out this way, but The Doctor is pissed, and throws out a pretty heavy threat before being teleported away to who knows where. 

In a nice little postscript, we see Rigsy finishing up a mural to Clara on the abandoned TARDIS.

This was quite a tidy little mystery episode. The investigation period was maybe a little rushed, but that's because they had two mysteries to solve. A lot of time was taken up with Clara's farewell, so both finding the street and clearing Rigsy needed to be quick processes. Of course the whole point is they are operating to a literal deadline, so although it was a little bit go, go, go, Geronimo, it didn't feel out of place. 

Clara managed to again hit that pet peeve of mine by dropping another reference to an ongoing lesbian relationship with Jane Austin. When will the In-Who-Endos stop? While we're on pet peeves, the denizens of the street were mostly generic aliens, but some were a bit out of place. I mean, how was there a Cyberman living there peacefully? That makes no sense, and has the whiff of Needlessly recurring monsters about it.

Ultimately, this is a solid companion farewell episode, with all the usual tearful goodbyes. If it somehow remains Clara's farewell and for the rest of the season she only appears in flashbacks or as a Zygon double or even more of her time-stream duplicates, that would be a great way of surprising us. We kind of expect companions to go in finales, and although Amy and Rory technically went mid-season, it was a split season, so it equates to the same thing, so doing something different would be great. 

That said, I have no doubt that Clara will somehow survive or be brought back. Either way, having this farewell only to have her appear in subsequent episodes in any capacity significantly lessens the impact of her farewell. 

But, putting aside the potential impact of future episodes, this one is quite enjoyable. 

8/10

Can we fix it?

Not too much wrong here. The pacing could do with a bit of a tweak though. The bit of investigation where they were trying to solve the actual mystery and clear Rigsy seemed a good length, but finding the street itself did feel a bit rushed, and Clara's farewell seemed overly drawn out. I'm not sure if it would ultimately be the right thing, but trimming her farewell scene in order to make the finding of the street itself less hectic would be an interesting experiment at least.

Extending this period a bit runs the risk of going through a bit of a boring patch, but as long as we spice it up with some tense or funny moments, it should tick along nicely. I'd like to see a bit of Monster Vision from the Quantum Shade here. If it kinda stalked the victim waiting for the time to run out, it'd be creepier than just chilling in it's cage. We could also get full shots of it in the background etc, and it could go relatively unnoticed.

Some comedy could break it up too. For example, Rigsy could get increasingly frustrated, loses count due to his frustration, and then run into a wall thinking he's found the entrance. Hilarity ensues.

The other side of this is a reduced farewell from Clara, which could be seen as a bit of a rip off for her character. That said, Amy and Rory didn't get farewells. Their sudden absence is part of what gave their departure so much impact. Of course, as I'm like 99% sure Clara will return somehow, I don't think we'd be robbing her of anything to trim that scene a smidge.

Also, nix the Jane Austin gag. It was barely funny the first time, so dragging it out is just poor.

Review - Deep Breath

The Doctor suffers the usual regeneration confusion in the first episode of Peter Capaldi's run, Deep Breath.

Series 8, Episode 1 - Deep Breath

Sorry for the delay on this one, but I've posted some initial thoughts over on Geek-O-Rama.net. Below is the same review, with my suggested fixes as always.

Much like previous regeneration episodes of the New Who, we spend most of the time seeing the doctor getting his head around who he is now. He spends much of the first half of the episode being confused and forgetful. At the same time Clara spends the first half of the episode not knowing how to handle The Doctor's change to an older form.

We touch again on the theme of Companion abandonment, both physical and emotional, as Clara comes to terms with The Doctor's wholesale change and later when he runs off, gets a taste of that "what now" feeling we've seen companions deal with before.

It's made clear fairly early on that there will be no hanky-panky with this Doctor, leading to the final scene in which he makes it emphatically clear that he is not Clara's boyfriend. Early on, Vastra lays it down wonderfully, putting Clara, and by proxy certain segments of the audience, in their place.

For all her protestations, much of Clara's issue with The Doctor's regeneration does seem to relate to physical looks, so that whole scene is quite gratifying in many ways. On the other hand, Clara's implication that she's into older blokes could be a worrying indication that we've not seen the end of Hunka Hunka Burning Doc.

But how could he possibly have adventures in space and time when he's so... grey?

Bringing the Clockwork Men back was an odd choice and I'm not sure how I feel about it. I always thought more could have been done with them, but this felt a bit ham-fisted. Why did they need to be from a sister ship? In The Girl In The Fireplace it was established that it was the destruction of the mission computer that caused the maintenance droids to start cannibalising the crew. Are we to believe this happened twice? I'd have rather seen this as the same group of droids that had all come through a time window and become trapped. I'd hesitate to file this under Needlessly Recurring Monsters as this was only their second outing, but they were clumsily brought back, which is a characteristic of that particular problem.

Sure, I could have harvested a whole face, but where's the fun in that?

The dinosaur was a bit of a nothingness though. It served almost no purpose in furthering the story, apart from a very public immolation. I suppose it did bring the Paternoster Gang there, but I suspect a blue box crashing into the middle of Victorian London would probably have done the same thing. Not exactly a Too Many Monsters type situation, but more of a red herring.

Don't look at me. I'm irrelevant.

This episode went to great lengths to show the parallels between The Doctor with his multiple regenerations and the Clockwork Man with the constant replacing of its own parts. The broom analogy was a good one, which coincidentally I had seen used only recently as I read Terry Pratchett's I Shall Wear Midnight. I'm not sure if the silver tray scene was taking this too far or not. I think I liked it though. I do worry that this "who am I" business will become a sub-plot that takes up too much of this season.

There are a few choice In-Who-Endos between Vastra and Jenny, but nothing excessively crude. I even chuckled at a few points. Sadly, by involving Clara in these, Vastra and Jenny's relationship is somehow marginalised. The cool thing about Vastra and Jenny's relationship was not that is was a cross-species same-sex one, but that it was seemingly strongly monogamous. By showing that Vastra is into other girls too, really ruins what was a lovely duo.

Please ignore my wife and get nekkid.

And finally The Doctor thinks to ask the question he should have done in The Bells of Saint John. Who gave Clara his number? This really is all the tease for the season arc that we need. Unfortunately that's not spoon-feeding us enough, so they elected to have an entire epilogue scene introducing Missy, the Gatekeeper of the Nethersphere. In a far more tragic turn of events, she refers to The Doctor as her boyfriend. Goddamnit!

A couple of other minor concerns, I noticed The Doctor said "that's not the question" a couple of times. I'm not sure if that's just a one-off for this episode, or if it will become his Annoying Catchphrase. If it does, it's not as bad as it could be, although I'll reserve judgement until I've seen it used a few more times. There was also a touch of Deus Ex Screwdriver with the revelation the sonic is voice activated now.

And I just need to take a second to comment on the new opening credits. Do. Not. Like. There's a hint of something interesting there, but all the cogs and clocks is just a bit too clichéd for me. There's nothing wrong with the good old time vortex with flying names. It's a classic for a reason.

As nice as it was to see Capaldi take on the mantle of The Doctor (and I think he did it well), this episode was just too riddled with issues to score particularly highly from me.

6/10

Can we fix it?

First up, some easy fixes. We dial back the innuendos from Vastra and Jenny a bit, and remove any hint that Vastra is hot for Clara. There's enough comedy in this episode without it. Also, completely remove the final scene with Missy. It was unnecessary and the episode was already significantly over time.

I've already alluded to some of the changes I'd make to the whole Clockwork Men thing. Replace the reference to them being from a sister ship of the SS Madame De Pompadour. It didn't help The Doctor to learn this, and was only there to explain their reappearance to the audience. I'd make them from the same ship, but they got caught outside a time window (or even halfway through) when The Doctor shut things down. This would mean they were hanging around, not for thousands of years, but only a century or so. Enough time to wear out and begin the process of replacing their own systems with human parts, but still retain some clockwork.

Their origin could be revealed during The Doctor's dialogue with the Control Node, removing the need for the naming of any ships. If it was scripted well enough, things could be relatively obscure, whilst at the same time making the audience aware of the link to the previous episode.

"We were seeking replacement parts to repair damage to our ship. Our time windows were destroyed, but our ship still awaits us. We determined to wait."

It makes little sense for the clockwork robots to harvest human parts to make anything when they are trapped in a resource-rich environment. It worked when they were trapped in space, but on Earth in any timeframe they would have access to raw materials they could fashion parts out of. By highlighting that they are attempting to remain hidden until such a time as they can return to their ship, they sort of justify this behaviour again.

This would also mean the Control Node would have to have a whole face. If he absolutely needed to have half a face to show his mechanical nature, he should have a reason for that such as damage to the skin, as well as try to conceal it. To this end, I'd have his first on-screen victim be shown to claw at his face tearing some of the skin off. After that he would be seen wearing a Phantom of the Opera style half mask, which would harken back to the original appearance in Season 2.

With some further explanation from the Control Node about how over time they found their systems began failing. They originally manufactured mechanical replacements but started using human parts in order to blend in. Stories had begun to circulate amongst the lower classes about murderous and ghoulish nobles who would steal your flesh and couldn't be killed. At this point they fled France, but it didn't stop the revolutionaries cutting the heads off of a lot of nobles. But the human bits have a short lifespan, and need more regular replacement., leading to the harvest restaurant.

Everything else could play out the same way, even the flying escape pod and the cheesy impalement on Big Ben.

Honestly though, these guys better not show up again. They are supposed to be unique enough to make The Doctor geek out over them. Let's keep them that way.

Review - The Time Of The Doctor

Matt Smith bows out as The Doctor in this years much awaited Christmas Special, The Time Of The Doctor.

Christmas Special 2013 - The Time Of The Doctor

First up, a quick apology for the almost one month delay in getting this up, but my original no-fixes review went up a while ago on Geek-O-Rama.net and it really did take a lot of thought to figure out how to fix this one. But on to the review.

Oh my good God. I'm so glad I didn't watch this immediately, it would have spoiled my Christmas buzz. This was not only a total shambles of a story that packed in a whole bunch of unnecessary sexual innuendo, but it revisited almost every reference from Smith's tenure that annoys me. Ordinarily this is where I would say, "but it was all worth it for the twenty seconds of Peter Capaldi at the end", but seriously, it wasn't.

To start with, the relationship between The Doctor and Clara continues to be confused, with her confirmation she "fancied him" whilst bringing The Doctor in as a fake boyfriend despite him originally getting the wrong end of the stick and pretty much saying he'd be up for the real deal. I must say I am hoping for a dramatic reduction in this sort of thing with Capaldi as Twelve. It's just so boring.

The In-Who-Endos fly thick and fast in the opening minutes. I mean, what was the deal with the hologram clothes? The concept of being nude in church is an interesting one, being bare before God and so forth, but with no explanation, and in combination with Tasha Lem's alter-shaped bed, I'm left assuming that it's just there to poke fun at religion by sexualising it.

*Deftly avoids joke abut Holy of Holies*

It's not the first time I've sensed this kind of jab at organised religion in a Moffat story, either. Previous appearances such as The Time of Angels / Flesh and Stone and A Good Man Goes To War saw The Church as largely Anglican, and the prominence of openly gay couple The Fat One and The Thin One was either a reference to the already evolving Anglican Church (female ministers etc) or just a cheap gay joke. With Moffat it's hard to tell. Now we see The Church as being somehow related to a very Catholic sounding Papal Mainframe.

We also saw a big slab of Hunka Hunka Burning Doc with The Doctor and Tasha Lem. Their sexual banter was so overt that I found myself waiting for the reveal that she was somehow a regenerated River Song. When did The Doctor have the time to develop this kind of long-term sexual relationship with a woman who wasn't River? It clearly wasn't as Eleven, so was Ten putting it about even more than we realised? It was all so unnecessary though. None of it added to the story one iota, and the flash of naked Matt Smith at the start seemed pure fan-service.

 

It was as if a million fan-girls cried out in pleasure.

Again, we have a case of Too Many Monsters, although it did seem to make some sense as to why they were there. I worried when the teaser came out because it was cut in a way that made it seem the whole thing was a set-up, much like the Pandorica plot-line. The teasers also had me face-palming at the return of the Silence, but again, in context they were relevant. I actually liked the idea that they were professional confessors, but after a second thought, It doesn't make much sense because half the point of confession is the act of confession, so even if you are getting some kind of post-hypnotic suggestion of penance, you're losing all the psychological benefits of confession by forgetting that you've actually done it. I was also quite upset for the Sontarins, who seem to have been relegated to comic relief. Don't get me wrong, Strax is a great character and pulls off comic relief well, but to make all Sontarins appear inept and stupid is a real shame.

 

One of the most fearsome military forces in the universe. No, seriously.

The episode just seemed a ham-fisted attempt to tie all of Eleven's season arcs into one grand overarching plot. Unfortunately instead of a mind-blowing climax to everything we've seen the past four years, all we got was a self-referential mish-mash with no real direction beyond tying up all of the loose ends. But you know what? Sometimes loose ends are a good thing. Case in point, the only thing that wasn't resolved was the return of Gallifrey. In a way I am looking forward to that being The Doctor's main objective moving forward. I hope it can be left unresolved for a long time, much like the holy scriptures in Monkey.

The whole thing just seemed to drag, and when I wasn't groaning because of some fresh innuendo or the reappearance of those thrice-damned Weeping Angels, I was checking to see how much longer it had to go. By the time we got to see the regeneration, I was over it. Capaldi's final line was a classic though.

 

Can you fly this thing?

I won't be rushing out to watch this one again.

4/10

Can we fix it?

I'm really struggling to see how we can fix this without a ground-up re-write. The entire episode seemed geared towards cramming in as many references to Eleven's tenure as possible, which sadly left little room for an actual story.

The bare bones of the episode, the Timelords calling through the crack, is a solid premise, but it just wasn't effectively played out. Many elements seem to have been included purely to fit with the existing prophesy, making for a rather jumbled scenario.

My main beef with the basic premise is the concept of the "Truth Field", which seems to me to be something an advanced race like the Timelords would have little trouble bypassing. I mean every man and his dog can recognize psychic paper now, so surely The Doctor wouldn't be susceptible to something like that. It seems to really only be there to fulfil the conditions of the prophesy. If it had to stay for that reason, at least have it that the Timelords knew The Doctor could still lie in a Truth Field but were using it to screen out "lesser" life forms.

And in the end, even though the Truth Field covers the bit of the prophesy that states, "when no living thing can speak falsely" it fails to address the next bit, specifically, "or fail to answer." The Doctor fails to answer for 300 years. Hell, he fails to answer at all, in the end. I really thought the prophesy was referring to the events of The Name of The Doctor where he was being forced to speak his name, and would have considered the matter resolved at that point.

The connection to The Silence could have been better too. Madame Kovarian should have featured, possibly as a subordinate to Tasha Lem who argues with her about how to handle the situation. Kovarian ultimately takes a group of followers and time travels to attempt to kill The Doctor. This removes the need for Lem's Faith Change, which felt really forced in.

The Papal Mainframe could also remain a neutral party maintaining the lockout of the planet, meaning the small incursions faced by The Doctor actually make sense as small groups penetrate the defenses. This also removes the need for the stupid human Daleks, which were an idiotic idea in Asylum of the Daleks, and completely unnecessary here.

With a tighter opening and none of the sexual innuendo, we can move to the actual siege quicker and then spend more time on the individual conflicts rather than an 80s style montage. This would lead up to the final battle after Lem is killed by the Daleks rather than assimilated.

It still wouldn't be great, but most of the major issues would be gone and it'd feel less forced. 

The (Insert Noun) of The Doctor

The BBC have released the full poster for the 2013 Christmas Special, The Time of The Doctor.

More like The Time to Get Some New Title Ideas, am I right?

Quite why we had to have an almost identical name to the 50th Anniversary Special and the Season 7 finale, I'll never know. Besides that bit of old news, it looks like they're slapping a bunch of big enemies together again in a Too Many Monsters extravaganza.

Why Angels? I'm so sick of them. They are totally played out as a monster. I had hoped after The Angels Take Manhattan we'd seen the last of them. That was pretty stupid, I suppose. And trotting The Silence out again? What's the point of that? They should have been done and dusted after The Wedding of River Song. Teasers have shown references to Trenzalor as well, another plot point that should have been left alone after it was resolved in The Name of the Doctor.

I'm trying not to draw too many conclusions from this poster and the few teasers, but I fear we're going to get a bit of a cluster-you-know-what here, and my expectations are currently rather low. The best scenario I can imagine sees most of these monsters appearing in some kind of nightmare dream sequence of The Doctor's.

In the end, I'm just hoping the few seconds of Peter Capaldi as The Doctor make it all worthwhile.