Review - Face The Raven

An old psudo-companion returns with some deadly new ink, and Clara's devil-may-care attitude finally catches up with her as she has to Face The Raven.

Season 9, episode 10 - Face The Raven

We jump into this episode at the end of an adventure, with Clara clearly having saved The Doctor in some kind of risky manner. The Doctor appears reluctantly impressed. This little moment is shattered as the TARDIS phone rings. Clara answers to hear Rigsy, last seen in Flatline, who claims to have woken up with a strange tattoo. A tattoo which is counting down.

The Doctor and Clara arrive to check things out, learning that not only does Rigsy have a baby, but he has lost the last 24 hours. His phone has been wiped, but it's screen has been cracked. The Doctor tries his best to be nice about it, but Rigsy is going to die. 

But at least he'll look fly doing it.

Despite initially seeming defeated, The Doctor does love a challenge, and the group set off to find a hidden street harbouring aliens. This naturally involves Clara leaning out of the TARDIS as it flies over London, scanning things with the Sonic Sunglasses. Before this turns into another case of Deus Ex Screwdriver, the team then have to wander around the target area counting and looking for areas where their concentration wavers. This is said to indicate the entrance to Diagon Alley. I mean the "trap street". 

After a bit of this wandering, Rigsy has a flashback to dropping his phone after seeing a body on the ground. This flashback has somehow broken the misdirection system that was disguising the entrance, and he is able to guide Clara and The Doctor in as well. 

Once inside, they discover the area is a refugee camp for asylum seeking aliens. The mayor of the camp is none other than Ashieldr, who has once again forgotten her name. It turns out she is responsible for marking Rigsy for death using a Chronolock which guides a Quantum Shade to the victim. When asked why, she reveals he killed one of the aliens sheltering in the street. 

After witnessing another alien killed by the Shade, which looks like the titular raven, Clara learns that the Chronolock can be passed on if willingly accepted by another. She convinces Rigsy to give the Chronolock to her in a bid to buy more time. Meanwhile, The Doctor discovers Rigsy had asked to call him when he was caught. Knowing Ashieldr must have ignored this plea, The Doctor becomes suspicious that she was using Rigsy to deliberately lure him there. Clara then realises that the only denizen of the street who isn't treating Rigsy as guilty is the child of the murdered Janus.

Clara's kid-wrangling comes into play again as she determines the Janus child isn't a male, but is in fact a female, and therefore has the power to see into past and future. Despite this she is unable to determine all of Ashieldr's motivation, because it involves The Doctor, who's own timeline is convoluted, to say the least. 

All this leads the team back to the murdered Janus' body, which is being kept in stasis. The Doctor realises she is alive, but the machine can only be switched off using his TARDIS key. With time running out, The Doctor does what is needed. The Janus is released, but not only does the machine take his key, it also locks a teleport bracelet on The Doctor's wrist. Ashieldr explains that in true Lando Calrissian fashion, she has brokered a deal to keep the street safe in exchange for The Doctor. Taking the key was simply a way of keeping him wherever he is to be sent. 

Ashieldr moves to remove the Chronolock from Rigsy, but is horrified to learn he has given it to Clara. On her recklessness, Clara failed to realise that transfer was one way, and removed any right of revocation Ashieldr had.

Not sure if dying, or curing the Warden's wife.

The episode them runs through an extended farewell ending in Clara's inevitable death. Ashieldr is genuinely remorseful that things turned out this way, but The Doctor is pissed, and throws out a pretty heavy threat before being teleported away to who knows where. 

In a nice little postscript, we see Rigsy finishing up a mural to Clara on the abandoned TARDIS.

This was quite a tidy little mystery episode. The investigation period was maybe a little rushed, but that's because they had two mysteries to solve. A lot of time was taken up with Clara's farewell, so both finding the street and clearing Rigsy needed to be quick processes. Of course the whole point is they are operating to a literal deadline, so although it was a little bit go, go, go, Geronimo, it didn't feel out of place. 

Clara managed to again hit that pet peeve of mine by dropping another reference to an ongoing lesbian relationship with Jane Austin. When will the In-Who-Endos stop? While we're on pet peeves, the denizens of the street were mostly generic aliens, but some were a bit out of place. I mean, how was there a Cyberman living there peacefully? That makes no sense, and has the whiff of Needlessly recurring monsters about it.

Ultimately, this is a solid companion farewell episode, with all the usual tearful goodbyes. If it somehow remains Clara's farewell and for the rest of the season she only appears in flashbacks or as a Zygon double or even more of her time-stream duplicates, that would be a great way of surprising us. We kind of expect companions to go in finales, and although Amy and Rory technically went mid-season, it was a split season, so it equates to the same thing, so doing something different would be great. 

That said, I have no doubt that Clara will somehow survive or be brought back. Either way, having this farewell only to have her appear in subsequent episodes in any capacity significantly lessens the impact of her farewell. 

But, putting aside the potential impact of future episodes, this one is quite enjoyable. 

8/10

Can we fix it?

Not too much wrong here. The pacing could do with a bit of a tweak though. The bit of investigation where they were trying to solve the actual mystery and clear Rigsy seemed a good length, but finding the street itself did feel a bit rushed, and Clara's farewell seemed overly drawn out. I'm not sure if it would ultimately be the right thing, but trimming her farewell scene in order to make the finding of the street itself less hectic would be an interesting experiment at least.

Extending this period a bit runs the risk of going through a bit of a boring patch, but as long as we spice it up with some tense or funny moments, it should tick along nicely. I'd like to see a bit of Monster Vision from the Quantum Shade here. If it kinda stalked the victim waiting for the time to run out, it'd be creepier than just chilling in it's cage. We could also get full shots of it in the background etc, and it could go relatively unnoticed.

Some comedy could break it up too. For example, Rigsy could get increasingly frustrated, loses count due to his frustration, and then run into a wall thinking he's found the entrance. Hilarity ensues.

The other side of this is a reduced farewell from Clara, which could be seen as a bit of a rip off for her character. That said, Amy and Rory didn't get farewells. Their sudden absence is part of what gave their departure so much impact. Of course, as I'm like 99% sure Clara will return somehow, I don't think we'd be robbing her of anything to trim that scene a smidge.

Also, nix the Jane Austin gag. It was barely funny the first time, so dragging it out is just poor.

Fixing Missy

I've been thinking about Missy for a little while now. The big reveal that she was The Master was all well and good, and I'm happy to roll with it now that it's happened. However, it's not exactly an ideal situation from my point of view. I will probably get jumped on for this, but I'm still not fully on board for gender-swapping regenerations. For good or ill, they have been part of the canon since Neil Gaiman's otherwise great The Doctor's Wife. But it's not just the gender swap that disappoints me about the Missy reveal. It is the missed opportunity that came with it.

Yes, I'm talking about The Rani. Radio Times reported on how Steven Moffat tried to trick people into thinking Missy was actually The Rani, and I must admit, she was actually my first thought when we met Missy. Moffat clearly had Rani front of mind at the time, so why default to The Master? He had already featured prominently in a season arc in season 3, and as the main protagonist in the Christmas / New Year special The End of Time in 2009-10.

The casting would have been perfect too.
(image from Following the Nerd)

With such a huge existing Rogue's Gallery and nearly infinite possibilities for new villains, there really is no need to recycle enemies at this rate. Also, it's rather questionable as to why you would gender swap a male villain when there is already a perfectly serviceable female one ready to use. Rani would arguable have fit in with the Death In Heaven season arc better than The Master does too. Her cold, calculating nature would easily see her team up with the Cybermen if it meant she could somehow further her research. The Master's motivation seems to be purely to taunt The Doctor and prove him to be a bad man.

That said, it's actually not too late to turn this whole thing around. Allow me to explain:

The last time we saw The Master he was burning up his life force to attack Rassilon and company at the climax of The End of Time. We all assume he is then either time-locked with the rest of Gallifrey, or his unstable body disintegrates. Either way, he is never to be seen again. But The Master has survived without a body before. He's also a big fan of possessing other people's bodies. It's not unreasonable for his disembodied essence to somehow escape the time-lock and wander the galaxy stealing bodies.

Those bodies, however, aren't good enough. Much like the 1996 Movie, they quickly degrade. He needs a Time Lord body. He searches the galaxy for The Doctor, but is always a step behind. He eventually decides to lie in wait on Earth, The Doctor's favourite backwater. He just misses The Doctor on several occasions, such as turning up at Craig and Sophie's place just after their Lodger left, or the time all those cubes showed up.

By chance The Master stumbles across The Rani, who has also somehow managed to escape the time locked Gallifrey, and is working to perfect a way of storing the essence of sentient creatures indefinitely, using the same basic technology as the Chameleon Arch. Perhaps she plans to use this technology to transfer the Time Lords minds off of Gallifrey, if not their bodies. Perhaps she has other plans for it. Either way, she is now using the resources of the Cybermen to further this research.

The Cybermen have had issues with strong personalities overriding the emotional suppression of the upgrade process. This is their attempt to make a better Cyberman by testing the personalities within the Nethersphere and placing only the most desirable ones into the strongest bodies. While the personalities can survive in an artificial neural network, which is essentially what The Nethersphere is, they can't bond with a purely robotic vessel, and require a bio-organic link.

The Rani is able to develop the basis for an upgraded Cyber chassis that can use a relatively small amount of organic material from the same species to create the required neural link, but her plan is always to dump the entire contents of the Nethersphere into these new bodies, even those strong enough to overcome the emotional suppression. She wants to use the tech for her own ends, not create an unstoppable Cyber Army. Just let them fight amongst themselves while she makes good her escape.

Unfortunately for Rani, The Master manages to use her own tech against her, pushing her out of her body and storing her in her own personal version of The Nethersphere. The Master is then able to possess her body, again getting the Time Lord (or Lady) form he desired. Naturally The Master (now Missy) uses the existing partnership and technology to her own ends, but being unaware that Rani had bypassed the selection protocols in the Nethersphere, she dumps the strong personalities as well. These include Danny and The Brigadier, and things play out as we have already seen.

Now that was a lot of back-story to get through, but it tidies up a couple of issues I have with that story, namely the fact that Cybermen can suddenly use corpses to create new Cybermen. Previously they have always been upgraded living beings, so justifying this new evolution would be nice. From here, you can see it sets up a situation where The Doctor can find out about this, and be forced to choose between leaving Rani in a lonely limbo state, or essentially killing his friend. Obviously we'd find a way to save both, but then we've got two antagonists out in the field ready to clash with The Doctor again in the future.

Oh, man! Can you imagine The Master in a Cyberman body?

Review - Sleep No More

Giant blobs of eye-crusties terrorise an orbital base in the very interestingly shot Sleep No More.

Season 9, Episode 9 - Sleep No More

The episode opens with Professor Rassmussen telling us not to watch the following video, which he has pieced together from CCTV footage and the helmet cams of the soldiers. I'm not sure why they elected to eschew the standard opening credits in favour of the matrix-style green code with the words "Doctor Who" highlighted. The episode only ran 45 minutes, so it certainly wasn't a time issue. I really did miss them though. Anyway...

Rassmussen introduces the rescue team that have been sent to investigate why the base has fallen silent. They hit the usual tropes; the leader, the hot-head, the clown and the muscle. The team explore the seemingly deserted base, eventually running across The Doctor and Clara. Before long the group is attacked by monsters composed entirely of sand. 

The team gets separated from one of their members and takes shelter in a room filled with Morpheus sleep pods. After Clara is dragged into one of the pods and needs to be freed by The Doctor, The team tells them all about the pods and how they replace the need for sleep. 

464 the clone discovers another occupied pod, inside of which is Rassmussen. After he explains how Morpheus works, The Doctor guesses that the Sandmen are made up of the "sleep dust" that builds up in the corners of your eyes when you sleep. I'll just keep suspending my disbelief because that's not really making a lot of sense just yet.  

Meanwhile, Deep-Ando, the team-member who got separated from the rest, is running from Sandmen. Suddenly he has some trouble with a door computer which claims to have been reprogrammed so that users have to sing Mr Sandman to operate it. Unfortunately for Deep-Ando, the song seems to attract the Sandmen.

The Doctor got sick of this quicker than I did

After the base's gravity shields go down, the Sandmen attack again killing Rassmussen. The Doctor fixes the shields and takes shelter in a freezer along with Nagata and Clara while Chopra and 474 make a break for the ship. After becoming trapped between Sandmen and a wall of fire, 474 walls them both through the fire, burning himself severely. As Chopra bolts for the ship, 474 makes a classic sacrificial charge to buy him time. Not that it matters, because Chopra is killed as soon as he gets back to the ship.

I'm not sure what the point was of the little attraction thing Gatiss threw in between these two. It doesn't serve the story beyond a bit of cheap humour. Both of them die without either resolving the attraction or growing from it. And beyond all that, it doesn't really make sense to genetically engineer a soldier to be strong, stupid and retain sexual urges. That's pretty much a recipe for disaster. The majority of other fictional military forces that have been engineered to be perfect soldiers, from the Imperial Space Marines of Warhammer 40,000 to the Unsullied from Game of Thrones, are generally asexual. I would slot this in as an In-Who-Endo.

While all this is going on, The Doctor works out that a bunch of video transmissions are floating about which are seemingly from the soldier's helmet cams. Nagata points out that they aren't wearing helmet cams, and The Doctor confirms there's something dodgy happening by finding a live feed from Clara. The Morpheus machines have somehow reprogrammed people and turned them into the Sandmen.

As they return to the rescue team's ship, they find Rassmussen there, unharmed. He reveals he is helping the Sandmen escape the base and spread to Triton where they will be able to feed on the local populace. Rassmussen attempts to lock them in with a Sandman, but they escape, and Nagata does the sensible thing and shoots him, much to the disappointment of Cara and The Doctor. 

As the three of them pile into the TARDIS and escape, The Doctor shuts off the gravity shields, sending the base plummeting towards Neptune, presumable destroying the Sandmen.  However, in a little epilogue we see Rassmussen is not dead, and is finishing off his little video. It turns out the Sandman infection doesn't require physical contact, only an electrical signal. This signal has been woven throughout the video, ensuring all who watch it are now infected. He ends the video by crumbling to dust in a delightfully creepy way.

A season highlight

This was a nice little twist ending and it kind of leaves things open for the Sandmen to reappear at some point. Clearly The Doctor will work out how to remove the infection from Clara and Nagata, but while he's not around, infection could well spread quickly. It's also implied that the Sandmen are still evolving, so any subsequent appearances could see them more human-like. 

This was a solid episode with a fairly interesting if improbable monster. The episode was structured perfectly, going neatly through introduction, investigation, escalation and resolution. Pacing was spot on, which can be tough in a standalone episode, with a solid escalation of threat level and peaks and troughs in tension. I also enjoyed that the solution wasn't really anything The Doctor did. All he was able to do was contain the threat. Or at least he thought he did.

9/10

Can we fix it?

The only thing I'd do here is remove the completely out of place "Chopra pretty," from 474. It added nothing and just seemed forced in. 

Other than that, top notch. 

Review - The Zygon Inversion

The events of The Zygon Invasion come to a head in this story's quite brilliant conclusion, The Zygon Inversion.

Season 9, Episode 8 - The Zygon Inversion

After last week's missile-laden cliff-hanger, we pick up this week with Clara trapped in her own mind watching helplessly through the Zygon mind link as her duplicate, Bonnie, tries to shoot The Doctor's plane down. Of course, Clara is made of stronger stuff, and is able to hijack Bonnie's body through sheer force of will. Not only does this allow her to foil the initial missile attack, giving The Doctor and Osgood time to escape, but eventually she also manages to blind-text The Doctor.

As The Doctor and Osgood determine that Clara is still alive, Bonnie begins fostering conflict between the humans and the Zygons. To this end, she forces a Zygon to revert to his natural state in front of humans and uploads video of the event to the web. She then sets about trying to secure the Osgood Box which as we learned last episode, is the ultimate sanction should the Zygon treaty fail. Having learned from The Doctor that Clara knows where the box is kept, Bonnie uses their mental link to interrogate her. Despite Clara's best efforts at double-talking around the questions, Bonnie learns the box is in the Black Archive.

Bonnie threatens to kill Clara, but is warned that she will soon find out why it's called the Osgood Box, and will then want to talk to her again. Clara's pod is packed up and Bonnie trots off to the archive, but not before telling her freshly returned US counterpart, now disguised as Kate, to deal with The Doctor.

The Doctor and Osgood have meanwhile found the place Bonnie filmed her video. Here they discover the Zygon she reverted who is now terrified he has destroyed all hope of a peaceful life for Zygons on Earth. In a scene that reinforces the opening of the previous episode, we see a good and peaceful Zygon just wanting to live his life in his new home. Unable to live with what he may have done, the poor bloke elects to kill himself.

Kate catches up with The Doctor and Osgood, taking them to the Zygon base. When they get there they realise that Clara's pod has been removed. Kate's UNIT guards transform and advance menacingly only to be cut down by Kate, who turns out not to be a Zygon. She reveals she escaped by the excessively complicated method of blowing the attacking alien away with the gun she was shown to have on her earlier. Crazy, I know. At least she apologised to The Doctor for killing them.

It's not Sonic, but it gets the job done.

The real meat of this episode comes in the final act as Bonnie enters the Black Archive and finds not one, but two Osgood Boxes, each with two activation buttons. Turns out this is The Doctor's plan all along. The buttons of one box will either revert all Zygons on Earth to their natural forms, or make their human forms permanent. The other box will either release a Zygon-specific nerve gas, or detonate a nuclear warhead large enough to destroy England.

As both Bonnie and Kate struggle to decide which buttons to push, The Doctor tries to convince them not to push either. Capaldi delivers a fantastically impassioned speech, which could have been made directly to the heads of most terrorist organisations worldwide (and a few governments too) with barely a changed word. 

Of course it all works out in the end, and as a bonus twist, The Doctor reveals this isn't the first time this sort of thing has happened. Bonnie, now reformed of her radical ways, takes the place of the missing Osgood and the pair get on with the business of keeping Earth safe.

All whilst rocking some epic cosplay.

This one was pretty much a near perfect episode. I seem to recall one small In-Who-Endo at one point, but it obviously wasn't bad enough for me to remember what it was (EDIT: Oh that's right, it was the winking thing. Fairly harmless I suppose). The pacing was perfect, the resolution was wonderful, and it really gave Capaldi time to shine with a solid monologue to sink his teeth into. 

The one thing that didn't happen which I hoped would, was some kind of justification for changing the Zygon rules last episode. With a big room full of people in pods, it seems like there is no solid explanation about when they do or do not need to keep the humans alive. I really feel like this change was made so that we could be faked out about characters being dead when they weren't. Previously we would know they were still alive somewhere if there was a Zygon version of them.

Despite that, I'm ranking this one the best of the season, and definitely the best from Capaldi's run.

10/10

Can we fix it?

Nope. Nothing to fix here.

Review - The Zygon Invasion

The Doctor revisits the events of the 50th Anniversary Special as he and Clara team up with UNIT to deal with The Zygon Invasion.

Season 9, Episode 7 - The Zygon Invasion

We begin this episode with a little recap of The Day of the Doctor, confirming there were two Osgoods and showing us that The Doctor had a contingency should the Zygon colonisation ever go bad. It's apparently called the Osgood box. Then we catch up with Osgood desperately fleeing a Zygon and attempting to contact The Doctor. She is caught, but not before getting a message off. The Doctor receives the message in the TARDIS while he is yet again randomly jamming on his guitar. I'm going to go ahead and call that as his version of an annoying catchphrase.

This must be the only thing he does in his down time.

The Doctor goes out to find the Zygon High Command and find out what is going on. I tried to ignore the creepy undertones of an old man hanging out in a playground watching the kids before doggedly pursuing two young girls through the play equipment. Happily for The Doctor, so did every other adult human in sight. I suspect that scene would have ended very differently in real life. Before The Doctor can get any information from the Zygon girls, they are kidnapped by some other Zygons.

Meanwhile, Clara finds her neighbour's kid sitting in the stairs of her building. He says he can't find his parents. When Clara goes into his house to investigate, she is confronted by some creepy people who assure her everything is fine before forcing the struggling child into another room. All of this doesn't appear to phase Clara though, as next thing she is seen exiting the flat and tying her hair back. This struck me as a very deliberate act, and whilst my first thought was that it was a "things are about to get real," move, I now suspect it will become an identifying trait later in the story.

After finally calling The Doctor back, Clara meets him and Kate Stewart at UNIT HQ. There they are filled in with all the details of the Zygon situation. A splinter group of younger Zygons is discontent with remaining in hiding, and is demanding the truth of their nature is revealed. The whole thing plays out as a nice allegory of the whole Islamic State situation we have going on now, where disillusioned young people are being radicalised to the cause. The Doctor even warns that bombing the factional Zygons will only help to radicalise the rest of them.

After visiting the site of the Zygon High Command and some completely unnecessary In-Who-Endos around the way The Doctor operates the Zygon computer, this episode takes on a nice international feel. The Zygon threat is present across the world, with main plot points occurring in the UK (naturally) as well as the US and a fictional Middle Eastern country called Turmezistan. The group divide their efforts amongst these countries, with Kate going to the bizarrely named town of Truth or Consequences in New Mexico, The Doctor leading the UNIT strike team in Turmezistan, and Clara staying behind in England.

These multiple fronts allow each character to shine nicely. It was particularly fun to see Kate out in the field. She certainly seemed capable as a field agent, as befits the daughter of the great Brigadier. She meets a beleaguered town Sheriff in the now deserted Truth or Consequences who reveals some info on the Zygon uprising there. 

Not just a bureaucrat.

Meanwhile, The Doctor manages to stop UNIT from bombing the Zygon compound in Turmezistan, but during a ground operation the Zygons manage to fool the UNIT frontal assault team and wipe out the lot. The Doctor finds the captured Osgood at the last minute, and manages to capture a Zygon prisoner to boot.

Everything is looking good until we figure out that Clara is a Zygon, and the British contingent have captured and replaced a large portion of the population. Not only that, but the sheriff that Kate has met in the US is also revealed to be a Zygon double, and attacks. Zygon Clara speaks to The Doctor on the phone and reveals Clara and Kate are supposedly dead. Then she shoots a missile at his plane and we get a face full of "to be continued."

"Say hello to my little cliff-hanger!"

This was a top notch episode, only mildly tarnished by a tasteless joke near the start. Despite my early fears that moving to glasses form seemed to have yet again upped the power lever, they have avoided hitting the Deus Ex Screwdriver thing and only used them for opening locks.

The same can't be said for the Zygons though. They've only appeared once before since the reboot, but somehow they're already suffering from power-creep. Osgood even mentioned their previous restrictions as "the old rules." I've said before, if an established monster needs changing to stay scary or whatever, maybe reconsider using it.

In this case it could just be that this was changed to keep things mysterious around which Osgood still exists, or make it more believable that Kate and Clara could be dead. If so, there are better ways of going about it. More likely it was an excuse to make another Hybrid reference. I kind of respect that they are trying to keep the nature of the Hybrid obscure, but this is starting to look clumsy. 

Anyway, this was enjoyable, and I really am loving the large crop of double-parters we have this season. It really gives the story room to breathe and helps avoid the issue of Go, go, go, Geronimo! I look forward to the next part.

9/10

Can we fix it?

First and foremost, drop the sex jokes in the Zygon HQ. They were just too much of a jump at that point considering things are quite serious until then. If we absolutely need something light-hearted there, cut the joke in half. 

"Should we give you some privacy?"
"This is a bio-organic interface. This is how it works."

That's it. The follow-up joke about him enjoying it is unnecessary and dragged it out too far. The word "titillating" was chosen for The Doctor's response even though "stimulating" is almost as suggestive with the bonus of being more appropriate. The fact they went with the slightly more obscure term speaks volumes here.

I was going to offer a solution to what I see as an unnecessary change to the Zygon canon by tweaking the "new rules" scene with Osgood. On reflection though, I'd rather wait until part 2 to see where they are taking it before going down that path. 

It could all turn out to be a fake-out and Osgood is another Zygon decoy made from the surviving Osgood who is the human Osgood who is being kept somewhere like Clara is, and she spun all that to The Doctor to lead him astray. 

Anything is possible.

Review - The Woman Who Lived

The Doctor ditches Clara to chase down an alien artefact in 17th century England, only to run into his little hybrid in The Woman Who Lived.

Season 9, Episode 6 - The Woman Who Lived

After landing in the TARDIS, The Doctor stumbles upon a highway robbery in progress, the perpetrator of which turns out to be the immortal Ashieldr, now the notorious Highwayman The Knightmare. Having ruined her attempted robbery and also lost the alien artefact he was searching for, The Doctor returns to Ashieldr's house to learn what she's been up to since he made her immortal.

Ashieldr has forgotten many of the events of her long life including her name, but has volumes of diaries that record them all. These act as a convenient way for The Doctor to learn about many of the tragic events of her life without all the hassle of making her open up and tell him. I can't work out if this is lazy writing or sheer brilliance. I think I'll roll with it though. It just works.

You just saved us a full episode of deep character interaction.

She has loved, and even had children, only to lose them. Some events have been torn out of the diaries, and when asked about them, she reveals she does that when she wants to forget. The Doctor can't understand what could be worse than losing her babies, but she explains she keeps that one to remind her not to have any more.

Williams does a great job of the flashbacks here. They nicely bridge the gap between the slightly naive Viking girl we met before and the old woman in a young woman's body we see now. She has been hardened by her long and lonely life, which was alluded to at the end of the previous episode. Now she is determined to shake the bonds of Earth and explore the universe. She asks The Doctor to take her with him, but he refuses. In the face of that refusal, she goes to the gardens and speaks to a shadowy figure with glowing eyes. It's made pretty clear she is going to betray The Doctor. 

They then work together to retrieve the alien artefact, now identified as a jewelled pendant called the Eyes of Hades. During the break-in to steal the pendant, Ashieldr offers The Doctor a face mask. He declines, saying he has his own. Yep, you guessed it. Those bloody sunglasses are back. Thankfully the only thing he uses them for this episode is lighting a candle, which sound waves could at least conceivably achieve.

*Shakes fist in impotent rage*

After recovering the Eyes of Hades, Ashieldr again asks The Doctor to take her with him. When he again refuses she goes through with her original plan to give the artefact to a stranded alien called Leandro from Delta Leonis (that's right, he's a lion man) who needs it to escape Earth. However it turns out the pendant is only activated by a death. The Doctor is outraged at Ashieldr's willingness to kill, but the embittered woman sees mortal people as transient, and she refers to death as an "abundant resource."

As Ashieldr and Leandro leave to attend the hanging of Ashieldr's rival highwayman, Sam Swift, The Doctor talks his way out of custody and follows hot on their heels. Swift is spending his final moments making jokes, some which were rather bordering on In-Who-Endos, but The Doctor soon shows up and uses his psychic paper to grant Sam a pardon. Ashieldr then goes all in and uses the Eyes of Hades to draw the life force from Sam, creating a portal in the sky. 

Not another one.

But as predicted by The Doctor, Leandro double crosses Ashieldr and his story to her is revealed to be a lie. As alien ships begin firing through the portal, preparing to invade, Ashieldr remembers human compassion and uses her remaining Mire chip to restore Sam's life force and repel the invasion, but not before Leandro escapes through the closing portal. Afterwards, The Doctor and Ashieldr celebrate in the pub with Sam Swift and discuss the future. Ashieldr decides to dedicate her life to looking after the people left behind in The Doctor's wake.

As The Doctor sits in the TARDIS thinking and noodling on his guitar as has become standard this season, Clara returns. She shows him a picture of one of her students. Lurking in the background with a fairly sinister smile is Ashieldr, lending further evidence to her being the season arc.

All up this was a pretty damn good episode. It built on the previous episode despite no direct connection between the two threats. The Doctor and Ashieldr worked together reasonably well, and the lack of Clara had zero impact on the episode. I could maybe see her as a permanent Companion, but I do get why she won't really work well as one.

I was a bit put out by the initial interaction with Sam Swift, but it becomes clear they were setting his jocular attitude up as a catalyst to bringing Ashieldr back on track. An example for The Doctor to point to and say, "he gets it."

I am now genuinely interested in the season arc. Is Ashieldr the Minister of War? Is she still on track? What does that smile mean? I am hoping that the references to the arc drop off for a while though. Definitely the best this season, and possibly the best of Capaldi's run so far.

10/10

Can we fix it?

Not much to do here. Shave out some of the sexual innuendos in Sam's gallows humour, or at least make them less overt, and get rid of those freaking sunglasses. They literally added nothing to this episode. Neither, for that matter, did The Doctor playing his guitar again. These things were minor and didn't really affect the quality of the episode, but they are adding to the overall caricature of The Doctor we are seeing this season, and is starting to feel very samey.

More of the same

Something I've been thinking about for a while now is the concept that the writers of Doctor Who are concentrating more on elements of fan service than writing good episodes. This can rear its head in several different ways, and although it doesn't automatically mean the episode will be bad, it can certainly limit the potential.

A few of the things that I would classify as fan service have broader implications and I have discussed or will discuss in greater detail. Things like the sexualisation of The Doctor and forced inclusion of certain fan-favourite monsters where they don’t really fit. Others are minor quibbles, but when stacked together indicate to me there is a strong desire to pander to the fandom.

"And why not?" you may ask. The fans are the audience. Who are you writing for if not them? Yes, the fans are the audience, but a writer should never let the nebulous "them" dictate direction. Just ask George R R Martin. Fans may love a particular aspect, story or monster, but forcing in more of it doesn't automatically make things better. More often than not it retroactively makes the original thing seem worse.

Sexy Doctor

During Season 2 the relationship between The Doctor and Rose was edging towards platonic. Around this time we got The Girl in the Fireplace, which showed The Doctor's sexual side. This episode was very well received critically and by fans, which may have opened the door to more of these sexual antics from The Doctor, particularly under Moffat's tenure as show runner. He did write that episode, after all.

The beginning of the end.

This all came to a head for me during the 2013 Christmas Special and Matt Smith swan song, The Time of The Doctor. We open that episode with The Doctor prancing about naked and offering to be Clara's boyfriend for realsies, and progress to hyper-sexual innuendos with the leader of the Space Catholics whilst sitting on an alter-shaped bed.

I won't go on about this one, as I've covered it more thoroughly in my article about Hunka hunka burning Doc.

Steampunk Tendencies

I've noticed that Steampunk / Doctor Who mash-ups are a strikingly abundant cosplay theme out there. The crossover between the two subcultures of Steampunks and Whovians is significant. I don't know why it exists, but I'm sure it is the reason for the seeming increase in Steampunk influences in the show of late. Seasons 1-6 each saw a single episode that could fall under the broadest banner of Steampunk, either due to the time period, or the general style. The only season in this time that didn't was Season 4, where the closest is The Unicorn and the Wasp set in 1926.

At the same time, some people may be tempted to include Season 2's The Girl in the Fireplace because clockwork also features heavily in Steampunk. Add to that the three Christmas Specials across this time with Steampunk influences, and you've got eight or nine Steampunky episodes across six seasons. Season 7 then added half that number again with a total of three Steampunky episodes and the 2012 Christmas Special. Of course, it's entirely possible that this is purely coincidental, but I don't think so.

Possibly the Steampunkiest picture you can get without cog wheels.

With the advent of Season 8, however, we saw only one Steampunk episode, which combines the not-quite-Steampunk Clockwork Men with the definitely Steampunk Victorian London setting and, yet again, the Paternoster Gang. Perhaps this was the last hurrah for this particular theme. Time will tell, I suppose.

Another explanation lies in the fact that the Paternoster Gang appear in the last four Steampunk-themed episodes. In that case, it's not so much playing the Steampunk angle as it is trotting out Vastra and company at every opportunity. I've said before, I love the Paternoster Gang and if they had a spin-off, I'd watch the crap out of it, but much like the Needlessly Recurring Monsters, pulling these sorts of supporting characters out too much does lessen their impact.

Rockin' Doctor

And now we enter the Capaldi Age, and we are seeing these kind of things drop off a bit. Twelve is not the heart-throb Ten and Eleven were, and as noted, the Steampunk thing seems to have run its course. But now we are seeing something I can only think of as "Fan Bait", giving the fans something else tangible to focus on as a defining feature, rather than the already different and, in my opinion much more interesting, coldness and moral ambiguity he's been displaying since regenerating.

They are setting The Doctor up with some kind of rock and roll image, complete with electric guitar and those damned Sonic Sunglasses. Now it was fun to see The Doctor ride into that scene on a tank with his sunglasses and guitar. It worked in the context of his strange state of mind at the time. But now it seems we will get treated to a bit of a riff every other episode. And those glasses. I can't say enough how much I hate those glasses. They are probably going to be the equivalent of his Annoying catchphrase.

How did playing the guitar add to his explanation of a Bootstrap Paradox?

The main bit of evidence I have to suggest this is planned comes from the regular feedback surveys the BBC sends out to their Doctor Who Consumer Panel members. Each survey this season has asked respondents to pick two words from a list that describe The Doctor in the episode. One of the listed words is "Rock and Roll." I suppose it could have been there because of the scene in the first episode, but it has remained there in the ensuing three episodes, even the ones where he did not play the guitar. The Marketer in my kinda understands the need to have consistent survey structure, but it also knows that including it as an option was very leading. I feel like any results they get with that ticked will somehow support the Sunglasses, and I can't accept that.

Same Ol' Same Ol'

The thing to remember is that there is a law of diminishing returns at play here. What is awesome the first time becomes good the second time, okay the third and so on. To maintain the same reaction, you need to keep making the thing bigger and better until eventually you get so ridiculous that it becomes a bit of a joke. First we get The Doctor letting a woman into his hearts, but before long he has a list of conquests a mile long. Fans lock into a particular character or monster enough for them to see significant representation amongst cosplayers and BAM! Weeping Angels everywhere!

As the saying goes, "All things in moderation." The Doctor blasting out a couple of songs on an electric guitar whilst wearing sunglasses and riding a freaking tank it pretty awesome. By the end of the season it's just going to be boring.

So essentially, what I'm getting at is that the show has been bogged down in this regurgitation of the same old stuff over and over in an attempt to please the fans, but in the case of this fan, all it is doing is making the show feel stale. Whilst the Capaldi Era appears to be trying to shake things up, it also seems to be falling immediately into the same traps. I hope we can find the balance of keeping things fresh without just turning the show into a procession of memes.

The "Steampunk" episodes

For reference, here's a list of the episodes I was including in my count of Steampunk influenced episodes:

• Season 1 - The Unquiet Dead (1869)
• Season 2 - Tooth and Claw (1879)
• Season 3 - Human Nature/The Family of Blood (1913)
• Christmas 2007 - Voyage of the Damned (retro-futurist steam liner)
• Christmas 2008 - The Next Doctor (1851)
• Season 5 - Vincent and the Doctor - (1890)
• Christmas 2010 - A Christmas Carol - (retro-futurist Dickensian)
• Season 6 - A Good Man Goes to War - (Madame Vastra and Jenny)
• Season 7 - A Town Called Mercy (Wild West, late 1800s); The Snowmen (1892); The Crimson Horror (1893); The Name of the Doctor (some time in 1893, plus the look of the Whispermen)
• Season 8 - Deep Breath (Victorian London and the Paternoster Gang)