Review - Flatline

Clara takes a turn at being The Doctor, investigating some extra-dimensional creatures in Flatline.

Season 8, Episode 9 - Flatline

In the cold open we see a terrified man trying to report to the police some knowledge of who is behind some unspoken plot. He claims whomever "did it" is everywhere, before promptly vanishing. As the person on the other end of the phone line keeps trying to talk to him, we see he appears to have been sucked into the wall and stretched out of all proportion.

We join the TARDIS crew just after another jaunt through time and space, as Clara is set to be dropped off in London in time to meet a still unsuspecting Danny Pink. Unfortunately due to some external force, the TARDIS gets stuck in Bristol. Quite apart from that, it begins to shrink as the unknown force begins leeching dimensional energy from it.

BBC budget cuts take a disturbing turn.

Naturally The Doctor gets stuck inside, leaving Clara to investigate what's going on. This leads her to a community service maintenance team who are painting over graffiti. Local graffiti artist Rigsy fills Clara in on a recent spate of disappearances, including that of his aunt. All of the vanished people have been painted on the walls of a pedestrian underpass by an unknown artist.

Clara has fun teasing The Doctor by pretending to be him, but pretty soon things take a serious turn when a Police Officer vanishes from the next room by being sucked into the floor. All that is left when Clara and Rigsy arrive is a tree-like pattern on the wall. The Doctor quickly identifies it as a human nervous system, and the creatures attack again.

Clara and Rigsy manage to escape as Clara takes a call from Danny. A call that sounded highly suspect from his end. Not sure if I'm being a bit sensitive to In-Who-Endos here, but that seemed crafted to sound sexual. Danny was pretty cool about it though, almost as if he already suspects Clara is still hanging out with The Doctor.

Eventually we end up back at the underpass where the mural of the victims comes to life and menaces the community service work crew, sending them fleeing into the rail tunnels. Working through Clara, The Doctor tries to communicate with the entities, believing (or maybe hoping) that they aren't malicious, but jut misguided. It was nice to see him take this angle, as it shows he is still compassionate and understanding, even if he is curmudgeonly.

Obviously he is wrong, because the creatures continue to attack, and eventually take on Three-Dimensional human forms. That's where this episode loses it a bit. In their Two-Dimensional form, they are much scarier and far more threatening than when they take on human form and become yet another lot of shambling zombies. If it wasn't for the fact that their victims had already managed to get trapped down a network of tunnels with one exit, they would be easily escapable, despite their ability to remove the third dimension from things.

"Advance slowly and act menacing."

They do continue to leech power from the TARDIS though, which eventually takes The Doctor out of the equation altogether. This leaves Clara to come up with a plan to help get The Doctor back all on her own. Naturally this involves using the special skills of Rigsy to help turn the monsters' power against them. The Doctor is then able to banish what he suddenly decides to call the Boneless to their own dimension, warning them not to return.

After everything wraps up, we are subjected to yet another clumsily added season arc teaser with Missy. At least this one was appended rather than breaking the action to cram it in.

The pacing of this episode is good, managing to hit all of the major stages I outlined in Go, go, go, Geronimo! without feeling rushed. Keeping The Doctor trapped in the TARDIS was an interesting way to do a Doctor-Light episode. Shrinking the exterior of the TARDIS also allowed us this little moment:

Creepy and kooky. Mysterious and spooky.

I liked the evolution we see in Clara here. With The Doctor absent, Clara became him in many ways. All Companions are changed during their time with The Doctor, but to see one start to so closely resemble The Doctor without somehow absorbing part of him like Donna did, is a fun experience. Is Clara becoming more selfish, arrogant and cocky because of her time with The Doctor, or was she always like that, and being around someone who is the same way has simply allowed those traits to flourish?

Anyway, overall this was a fun episode only slightly hampered by what I see as a lessening of the monster when they became 3D.

8/10

Can we fix it?

Not really much needs doing here, so I'll concentrate on trying to fix the shambling zombie version of the 3D Boneless without a total re-write of the final act. I think the best way to achieve this is maybe just alter the way they behave, which will not only make it seem a bit more realistic, but also provide a gradual ramp-up of their threat level.

So when the Boneless are 2D, they move around freely as indistinct blobs slithering over surfaces and flattening out objects. Their first attempt to take human form is when the mural comes to life. Here we see fairly smooth movement along the 2D plane. As they become 3D though, they need to act more like babies learning to walk, stumbling and moving clumsily, rather than shambling like zombies. They dip into 3D and jerk about trying to work out how to get around in this new dimension before falling back to what they know and sliding along surfaces again.

In the early stages, this will allow the group to escape them by, for example, swinging across a gap on a chain or even just jumping over, much like Clara and Rigsy escaped on the convenient suspended chair. This forces the Boneless to take a long way around, because being unable to move through the third dimension, even a tiny crack is a huge obstacle.

This trick could ultimately be what forces them to move fully into the third dimension. The group think they're safe on the other side of a gap, when one of the Boneless pulls itself out of the floor or wall and unsteadily steps across. The Boneless' proficiency in the third dimension increases as the chase continues, and they spend less time stumbling back into 2D, and move more smoothly. They eventually start exhibiting the ability to project their dimensional power, rather than needing to touch or crawl over something to flatten it. This shows them rapidly learning how this new dimension works, and stops them from being just another shambling monster.

Everything else in this episode is okay, although I probably would have made sure it didn't sound like Clara was having some bedroom fun when Danny called her during the attack scene.

Review - Mummy on the Orient Express

The Doctor and Clara go for their "last hoora" with a relaxing train ride that turns out to be less relaxing than planned in Mummy on the Orient Express.

Season 8, Episode 8 - Mummy on the Orient Express

The cold open shows us everything we need to know for the premise of this episode. A woman is killed by a monster only she can see, and this is happening on a train, which for some reason is in space. The on screen timer is a neat little device and clues us in to the time limit before The Doctor has it explained later on.

After the tense ending to Kill the Moon, Clara has resolved to end her adventuring with one more little jaunt to space. The whole dynamic is that of a couple who know the relationship is dying but are desperately trying to end on good terms. Uncomfortable and slightly melancholy.

The episode plays out at a good pace with hints and clues nicely woven into the dialogue, rather than ham-fistedly slapped in just as they're needed. Moments of character development between The Doctor and Clara are well balanced with the more tense investigation and action during attacks by the Foretold. As the attacks increase in frequency, the tension rises and things come to a head nicely.

The Foretold itself was creepy, even if it was yet another "advance slowly and act menacing" type of monster. At least the 66.6 seconds rule kind of justified that and removed the whole, "why don't you just run away" thing.

"I'm much more spry than I look."

The Doctor maintains the detached alien nature we have seen throughout this season, which is a stress point in his relationship with Clara. He of course gets a chance to kind of explain himself at the end, but whilst he is still the same Doctor in that he wants to solve problems and save people, he seems to now have the ability to switch off. I can't really see Ten or Eleven methodically pumping a doomed person for information with out at least saying, "I'm so, so sorry."

I was disappointed to see yet another thing that can supposedly stop the Sonic Screwdriver. What is it this time? Some kind of "interference field," apparently. This is the main symptom of Deus Ex Screwdriver, and I'm not sure why they couldn't have stuck with one of the established weaknesses instead of making a new one. Hell, they could have said the shoe had cause some kind of issue that meant it would take time to open the lock. Time The Doctor didn't have, because he kinda got arrested.

Ultimately the solution comes about reasonably well, if a bit coincidentally. The fact that Perkins has something to do with it was nice, even if the rest of the scientists in the room seem nothing but window dressing. The Doctor shouldn't always be the only person to have any fun.

Frank Skinner as Perkins is a definite highlight in this episode, and helps to elevate it from merely satisfactory to very enjoyable. Any time The Doctor is challenged by someone is great fun. The offer of Companion status was actually quite exciting, as I could see Perkins' dry wit fitting into the TARDIS crew nicely. I hope to see him return at some point.

"Ooooh, yeah, I see your problem, Guv. Won't be cheap. Can't get the parts, you see."

The decision to not reveal the identity of whomever was pulling the strings here was definitely the right one. Knowing wouldn't have offered any additional value to the episode, and it leaves a thread hanging which could be tied into something else later on. I was also glad to see no season arc reference here, even though one could easily have been slotted in as it has in previous episodes this season.

The episode is book-ended by Clara's attempt to resolve her relationships with The Doctor and Danny. Instead of a grown up resolution though, we see a continuation of the "other man" theme which was the main driver of The Caretaker. Much of the final scene could easily be taken out of context and applied to a romantic or sexual situation. This is a great shame, because it seemed a bit of work had gone into sending Clara down the path of breaking up with The Doctor, only to have her ignore that and go on with the deception that caused all the trouble in the first place. Add to that the conversation between Clara and Maisie, where there is uncertainty around the nature of the whole relationship, and we are treading the dark path of Hunka hunka burning Doc again.

Despite all the confused relationship stuff, this is a tight story that plays out well with a believable threat and likeable characters. It's not perfect, but it's a good, solid effort.

8/10

Can we fix it?

Ordinarily I would say we could lose a good chunk of the Doctor / Clara relationship stuff, but honestly, the episode doesn't suffer for it. Instead I'd try to refocus some of it to clarify this isn't a girl trying to work out which man she loves, but is instead about a girl choosing between two lifestyles. She loves one man so much that she is now facing the inevitable putting away of childish things. The love of Danny Pink has given her something to lose should her dangerous lifestyle finally catch up with her. 

This stuff is all there, but it keeps getting clouded with ambiguous romantic implications. I say, get rid of the ambiguity, just as they finally did with Amy Pond when they showed her talking to Baby Melody about Rory. If Maisie must ask if there is a romantic relationship there, Clara should shut it down immediately. 

"No, I have a boyfriend. He's great. I love him. The Doctor is just a friend. Someone to get in trouble with."
"And what does your boyfriend think about that?"
"He doesn't like trouble. He's had enough of that in his life already."
"But you do like it, don't you?"
"Well... I mean, it's not like I need it."

A little exchange like this would make it clear that Clara loves Danny and sees The Doctor as a kind of Partner in Crime type of friend. It would also tie in with the talk of addiction at the end, making the closing scene less like someone plotting continued infidelity and more like a junkie justifying their next binge.

I'm baaaack!

Hi there all. After almost a year of inactivity, I have been spurred back into action by the start of Season 9.

In case anyone was wondering, the reason for my drop off in posting was two-fold.

First up, the arrival of my second son. I had a bunch of time off work to help settle him into life on the old homestead, but even so, I was very distracted with him and all the not sleeping etcetera. Now, as his first birthday approaches, I feel like I have enough of my faculties back to start putting my thoughts down again. 

Secondly, and probably more of a factor, the tail end of Season 8 was, in my opinion, depressingly bad. I'll get around to doing proper reviews for the remaining episodes at some point, but suffice it to say the finale physically hurt me, as the writers figuratively peed on the literal grave of my all-time favourite companion. 

Nick Frost as Father Christmas in the Christmas  Special was somewhat of a soothing balm, but Season 9 will need to do a lot to make up for what happened last year.

Having recently watched the first episode of Season 9, The Magicians' Apprentice, I feel like they could be on track to help me forget. A full review of that episode is coming soon.

Hopefully I can get trough a season with no interruptions for once.

Review - Kill The Moon

The Doctor reaches a pinnacle of patronising crankiness as Clara faces the truth about just how different he's become in Kill The Moon.

Season 8, Episode 8 - Kill The Moon

The cold open drops us right into the action here, building a hook to suck us straight in. Unfortunately Clara's message to Earth just struck me as a bit forced. We're then flung straight back to the real beginning of the story, where Courtney Woods is insinuating herself on The Doctor, aiming to go on further trips through Time and Space.

Here's where we run into the first thing I found odd about this episode. Despite his new crotchety demeanour, I still don't buy The Doctor telling someone they're not special. Despite his regeneration, this is still the same man who once said "You know that in nine hundred years of time and space I've never met anybody who wasn't important before." Of course The Doctor is now claiming over 2,000 years of life, so perhaps he's gotten a bit more jaded since then. Or maybe it was supposed to be another lesson.

Like "don't listen to men in polka-dot shirts."

The overall concept here was fairly sound, I suppose. The Moon being an egg was an interesting idea, but some of the details seemed a little glossed over. Lots of questions remain unanswered, or at least not suitably answered to keep me suspending my disbelief.

The Germs were suitably scary, but why did they look like spiders and spin webs if they were supposed to be single celled organisms? A bit of a redesign would have helped here, making them appear more simple. Another option could be to refer to them as parasites rather than germs. I'm not sure how (if at all) that would affect the scene where Courtney started floating or using the spray to kill them, but neither of those really made much sense either, so maybe the whole lot could just go. Whatever the solution, I can't buy a "unicellular" organism having such an advanced structure.

Even a basic knowledge of biology says this is not a germ.

Why had the creature growing in the Moon only begun to distort gravity relatively recently? The moon has been there for millions of years, presumably with the creature growing inside the whole time. Why then does the weight gain only start causing issues on Earth some time in the next 30 years? Was it dormant until recently? How exactly does the creature fit inside the moon, but have a greater density than it?

How exactly were the astronauts planning on using the nukes to destroy the Moon? They had no idea it was a living thing inside the moon that was causing the trouble, and they have no drilling equipment to get the nukes sufficiently deep in the crust. Hell, they don't even have a lander, so couldn't evenly space the bombs to get maximum effect without manually hauling them across the lunar landscape.

And the biggest question of all, how the hell did the creature manage to lay an egg? First up, how did something that just came from inside the moon manage to lay another egg the same size as the moon? Is the creature growing within the new moon simply non-sexual, or is this some kind of immaculate conception?

Biologically possible, but probably VERY uncomfortable.

Putting all this aside, the episode had good pacing and handled the morality issue reasonably well despite the flaws in the voting system (only half the world could vote and governments could rig it by cutting all power grids). It was entertaining despite the plot holes, and it had a total lack of my usual gripes, with bonus absence of a blatant Season Arc reference. Still, I think a slightly different angle could close those plot holes and make this episode a beauty. 

7/10

Can we fix it?

As I said, yes we can, and all it takes is a rethink of the egg concept. Rather than an egg, I think a better solution would be a nest.

First up though, we need to clear up the whole spider = germ thing. Rather than rebadge what they have as a parasite to make it biologically more accurate, I'd rather go with a redesign of the monster.  Instead of legs, it has flagellum. We can even give it eight of them so that in dim lighting we get the impression of a spider. Instead of a toothy maw, we have a mass of pili which, again, in poor light appear to be teeth. The webs could be explained away as some kind of excretion like a snail trail which aids mobility. All of this allows us to initially play on that all so prevalent arachnaphobia whilst retaining some semblance of biological realism.

With that sorted, we can tidy up the issues surrounding the gravity and the new moon. I reckon I can fix that all up with a couple of tweaks to the creature and how it breeds.

I see this creature as something inter-dimensional. The moon is part egg, part nest. Within the shell of the moon is the opening to a pocket dimension where the foetus grows. As it matures, it begins emerging from the pocket dimension, causing the seismic activity and a huge leakage of amniotic fluid with it's accompanying bacteria. The huge creature begins to cause gravity to increase quickly as it shifts more of itself into this dimension.

Upon emerging fully from its extra-dimensional egg-sac, the creature's first instinct is to build a new nest from the scattered remains of the old one. First it fabricates a new pocket dimension, then covers it with the pieces of the moon, tying it all together with silk-like strands. Then it flies off to find a mate, destined to return who knows when and somehow deposit it's fertilized egg safely in the pocket dimension through the moon.

Who knows how many times this cycle happened before recorded human history. It could even be tied in to the extinction of the dinosaurs.The creature that emerged then didn't manage to catch all of the pieces of the moon when making it's new nest.

Much of the first part could be explained by The Doctor upon his return from his little amniotic swim. The rest would layout to some explanation as they watch from Earth.

An interesting twist would be to have humanity's interest in space exploration kindled by a desire to protect this extremely rare breeding ground.

Closing those couple of plot holes would elevate this episode from an entertaining episode that makes me cringe at the poor science, to a near perfect story.

Review - The Caretaker

Clara's two worlds combine as The Doctor does a bit of moonlighting at the Coal Hill School in The Caretaker.

Season 8, Episode 6 - The Caretaker

This episode begins with a montage showing Clara struggling to live two lives at once, her "normal" life as a teacher with Danny Pink, and her life adventuring in time and space as The Doctor's Companion. This whole montage draws the parallel of a woman cheating on her partner, and in that it succeeds reasonably well. We get the distinct impression that something's going to give pretty soon.

After The Doctor leaves Clara behind to go "Undercover" She appears to have time to focus on Danny, but naturally The Doctor is going undercover at Coal Hill School as John Smith, the temporary replacement Caretaker. Hilarity ensues.

I love a comedy dust-coat

The Threat of the Skovox Blitzer is fairly minor, which is fine, because The Doctor straight up tells us he can handle it easily. There is no discovery of the threat, as The Doctor already knows about it. There is no investigation, as The Doctor already has a plan, and even when that goes wrong he seems to figure out a fall-back plan with minimal fuss. Sadly, if the majority of screen time doesn't even involve the monster of the week in any way, the focus of this episode becomes Danny's discovery of Clara's life with The Doctor.

Pictured: minor sub-plot

This all puts the episode squarely in the category of The Companion Show Featuring The Doctor. In retrospect this has been a bit of a trend throughout the season, particularly in Listen, but so far it's not taken up the majority of an episode. I thought (or hoped) we'd gotten past this issue once Clara stopped being The Most Important Person In The Universe™. Once the mystery of her origin was solved, she could become just another travelling companion for The Doctor. Hopefully the resolution of the Danny situation will reduce the focus on Clara and allow The Doctor more time in the limelight.

The scene with The Doctor mistaking Adrian for Clara's boyfriend was strange and has left me feeling a bit annoyed. There's two ways to take this. One, general arrogance from The Doctor that Clara would want someone who looked like he did, because that means she still wants him; or two, a fairly obscure kind of paternal feeling where The Doctor would only approve of someone who was somehow like him. I'd like to think it was meant to be option two, but something tells me that's not really what they were going for here.

The Doctor's irrational hatred of soldiers outlined in Into The Dalek was clearly designed to work with this episode, but despite this not fitting with established canon (The Doctor has been friends with several soldiers), Danny's response to The Doctor was actually pretty awesome.

Yet again we are treated to a scene in the Nethersphere, but this time Missy seems to have her cranky pants on and is reportedly "too busy" to deal with the poor dead policeman. For the first time since the Promised Land arc began, I am actually intrigued. I still don't really care who Missy is, but my interest is piqued as to why she would be annoyed.

Maybe ask for that raise another time

Overall, this is a pretty nothing episode. It does well enough considering it's entire point is to get The Doctor and Danny introduced to each other, it's just I like my light science fiction show about aliens and time travel to focus a bit less on a single character's love life and more on, you know, the aliens and time travel.

6/10

Can we fix it?

I wouldn't go so far as to say it was impossible to fix this one, but it would take a lot. The threat of the Skovox Blitzer would need to be somewhat enhanced to start with. More needs to be made of The Doctor discovering it and deciding to get the job at Coal Hill. It would also be good to find a way of pushing the Clara / Danny thing to the background a bit.

First up, The Doctor would not refuse Clara's help. She would refuse to help him. The Doctor discovers the Skovox is around, and comes to Clara asking for help. Before he is able to explain the threat or how she is needed, Clara refuses on the grounds she needs to concentrate more on Danny, telling The Doctor she's sure he can handle this one alone.

What we don't learn immediately is that The Doctor wanted Clara's help to place the devices around Coal Hill, which he has determined is the best place to displace the time vortex because of a weakness in the space / time etc. When Clara refuses to even listen, he is forced to assume the position of Caretaker in order to follow through with his plan.

When Clara berates him and he reveals what the threat is, The Doctor can then throw Clara's own words back at her, telling her he can handle it himself. This would also add another dimension to the negativity towards Danny. The Doctor is jealous, but not in a romantic way, just that Clara's attention is elsewhere. Why is spending time with him more important that fighting alien robots? The Doctor could even specifically ask her that, only to be answered with Clara's revelation that she loves Danny. There's really not much you can come back with at that point.

So in true Doctor fashion, he just throws a tantrum at Danny and blames him for the failure of Plan A. The rest would probably have to play out in a similar manner, except have Parent Teacher Night held in the same hall the Time Vortex is set to appear in, increasing the threat to innocent bystanders. They think things will be okay, but when the Vortex begins to appear earlier than The Doctor calculated, they resort to pulling a fire alarm or something to get everyone out.

It wouldn't be great, and would still suffer from being focussed too much on Clara's relationships, but it would have a more solid set-up and make slightly better use of a deadly alien robot.

Review - Robot of Sherwood

Our new Doctor really beings to hit his straps as he takes Clara to meet a legend in Robot of Sherwood.

Season 8, Episode 3 - Robot of Sherwood

This episode gets us back to basics, with The Doctor and Clara resolving to simply do a bit of adventuring in time and space. Clara chooses to go and meet Robin Hood, and despite The Doctor's claims that he is nothing but a myth, meet him they do. After a brief duel and a mild In-Who-Endo (seriously, I don't think they can help themselves), Robin takes The Doctor and Clara to meet his Merry Men.

What follows is a very condensed retelling of the Robin Hood story as we are introduced to the main villain, the Sheriff of Nottingham, who is swiftly shown to be a nasty piece of work. Then we bounce straight to the archery contest for the golden arrow. Things take a sharp turn away from the norm here, as The Sheriff's knights turn out to be robots, and The Doctor and Robin take some time to get really stuck into a phenomenal comedic double act. It really was very entertaining.

Historically accurate

Interestingly it is Clara who gets to take the lead in coaxing out the Villain Monologue and securing a bit of back-story from the Sheriff. It's always good to see the Companion adding practical value rather than just being a warm body to explain things to or as an emotional foil for The Doctor.

The season arc tease was a little less offensive this episode in that Missy herself was blissfully absent, however it still seemed clumsily shoved in. We don't need the arc referenced in every episode. Let's just enjoy a standalone episode for once.

The Doctor works out the Sheriff's plan and why it won't work, revealing a flaw that will prove fatal to half the country. And here's where it all falls apart for me. Somehow, hitting the side of the ship with a golden arrow will give it a surge in lift and get it clear of the atmosphere. If the gold just needed to be in contact with the ship, why were they bothering to melt it down and forge those huge circuit board things? If a bit of extra gold on the outside would have got them clear, why didn't they use the stuff the peasants were escaping with, or the huge vat of Sheriff-infused gold that was still in the dungeon?

Hasta la vista, Sheriff.

Ignoring all of that, I liked that the three of them had to work together to pull it off, and the overall resolution of the episode was nice, especially Robin's words to The Doctor.

And today's team-building exercise is...

Overall, the episode ran a little short, making the whole thing seem a bit rushed. I can forgive The Doctor and Clara happening to materialise right next to Robin, thereby getting things moving quickly, but the Robin Hood legend is so rich that it's always going to be tough to get it into such a short space of time. We move straight from introducing characters to a major point in the legend. Add to this that (amusing as it was) a lot of time was chewed up on the banter between Robin and The Doctor and things just seem a little Go, go, go, Geronimo!

I have to say that I still found this episode to be great fun, and would totally re-watch. I have to give it extra points because my wife actually enjoyed this one, and she's not really a fan at all.

8/10

Can we fix it?

Just a couple of things to fix with this one, all related to the eventual solution. I think we needed a bit more explanation about how the Gold Matrix™ works, which could hopefully make me a bit more comfortable with how shooting a gold arrow into the side of the ship would result in a power surge.

I'm thinking that the Gold Matrix is installed on the exterior of the ship. We specifically see shots of the circuit-like panels as the castle crumbles away when the ship is taking off. The panels would appear to somehow feed energy into node points on the sides of the ship, which in turn power the engines.

The issue then is not that the ship cannot clear the atmosphere, but that it is unstable and will explode, but the robots aren't trying to clear the atmosphere, they are still following through with the Sheriff's plan of attacking London. They are doing this because the Sheriff is still in charge. Even without the beheading, seeing the Sheriff stumble into the control room covered in gold could be a good reveal that he is already mostly robot.

The Doctor would point all this out, indicating a direct infusion of gold into one of the node points would overload the matrix flight controls and cause the engine power to temporarily spike, sending the ship clear of the atmosphere. The rest of the scene would play out the same, only they would be much closer to the ship, because flinging a solid gold arrow that far taxes my suspension of disbelief no end.

Review - Time Heist

Season 8 continues to showcase the potential for story diversity, as The Doctor and Clara pull a bank job in Time Heist.

Season 8, Episode 5 - Time Heist 

Wow! This episode was just spot on for me. It really highlights the way Doctor Who can remain solidly rooted in science fiction, whilst at the same time playing off other genres and tropes. This episode uses the classic heist movie formula in the tradition of Ocean's 11, Sneakers or the Australian classic Malcolm.

Things start off quickly, with The Doctor and Clara (and us of course) thrown in the deep end along with a pair of specialists. The memory wipe is a great way of bypassing the discovery phase and getting straight into the action. Sadly I think it went some way to telegraphing the identity of The Architect for me. Not that it really mattered all that much.

On that note, I understand they were setting up The Doctor figuring out who The Architect is, but it just seemed out of place to hear him come out with "I hate him," with no real motivation behind it. The Architect hadn't done anything specific to harm The Doctor or anyone else. They all heard themselves willingly submit to the memory wipe. It was just out of place.

The entire caper was very enjoyable, playing out with perfect pacing, and despite the quick start, didn't suffer from Go, go, go, Geronimo!, most likely because it didn't waste time with the set-up. The only element to the plan that seemed a bit strange was the "exit strategy". I'm unclear how Psi and Saibra managed to return to the planet and insinuate themselves into the guard staff when the place was in lockdown. The thing is, the quality of the rest of the episode allowed me to suspend disbelief at that point.

They teleported directly into the guards' locker room

The Teller was a nicely creepy monster, very alien and clearly threatening. The whole "soup" thing was really cool, and looked creepy enough. I'm not sure detecting random guilt is particularly foolproof when the punishment is encephalous liquification. There's no real room for appeal after that. The flaw in that method was already highlighted nicely in the Red Dwarf episode Justice. That said, it's their bank, and they can police it as harshly as they want, I suppose.

The prison orange jumpsuit and restraints really clinch the look

The budding Clara / Danny relationship took up very little of the episode, but disappointingly, despite all his apparent confusion at Clara's primping at the start, The Doctor ends the episode with the very jealous sounding line of, "beat that for a date." We are confusing the situation again here. If the sentiment is "Why would you go on a date when you can do this?" then I get it, but this phrasing makes it sound like, "I'm better than him, so you should love me."

All up, this was my favourite episode of the season so far. Solid, entertaining, and oh so cool-looking. I think we have our first perfect score for the new Doctor.

10/10

Can we fix it?

Not much to fix here. Maybe a slight tweak to the way The Doctor gets on to his "hating" The Architect. If we heard more of the reasoning The Doctor comes out with at the end spouted earlier on, his hatred may have seemed more natural.

Other than that, I'd just tweak his wording of the whole Date line to, "Robbing a whole bank! That beats any date," or something along those lines.

Those are just me being picky though. It really is a top episode.

Review - Listen

The Doctor deals with some of his own personal monsters and we learn a bit more about Danny Pink in Listen.

Season 8, Episode 4 - Listen 

We begin with The Doctor proposing a theory that just as nature has produced perfect hunters there may also exist a creature which has evolved to be the perfect hider. He suggests these creatures are the cause of a dream shared by all people where a hand grabs you from under the bed.

Using a telepathic link with Clara to direct the TARDIS, The Doctor hopes to find a point in her life when she had the dream, and therefore discover the creature. Unfortunately, Clara gets distracted by the embarrassing aftermath of her fairly disastrous first date with Danny Pink, and things don't go according to plan.

This was an interesting concept for a story and I think overall it was executed quite well. Initially I felt a bit short-changed after there was no confirmed monster, but it is actually quite a refreshing change. There were several hints that indicate there was no creature at all, with each bit of evidence for it being paired with a rational explanation, but at the same time we just can't be sure.

I think it's a testament to the concept and the writing that there is already heated debated raging online about whether there was or wasn't a creature. I've said it before and I'll likely say it again, Steven Moffat can write. Where he falls down is his insistence on pushing these grand, overarching stories and tying everything together. Which leads into my one real issue with this episode. The connection to Day of the Doctor. It just seemed a bit gratuitous to me.

The only way I could not be excited about seeing The War Doctor again

On a similar note, is Gallifrey not time locked any more? How was the TARDIS able to get to that point in The Doctor's timeline? Perhaps it was just a special quirk of Clara's because she has been spliced throughout The Doctor's timeline, but it feels like they are forgetting some important canon there.

In the end, this whole episode felt like a bit of a nothingness. We got some interesting insights into both The Doctor and Danny Pink, and it was yet again Clara's knack with kids that won the day, but overall it was a much slower pace than we've seen recently with not a great deal of excitement. Not that that's inherently a bad thing, but we maybe need a bit more to hook the audience. And with no definite resolution, we are left without so much a story as a collection of things that happened and some unanswered questions. As I said, not everything needs to be answered, but this kind of felt unfinished.

6/10

Can we fix it?

I'm not really sure we can, at least not without completely altering the whole thing. As I said, there is a good concept here, but I don't think it's actually a story. There's a bit of value around discussing this episode and it's implications on the wider Whoniverse, but it's just not that entertaining in and of itself.

Getting rid of the in-your-face reference to Day of The Doctor could have helped. I'm pretty sure some clever people would have made the connection with the barn at some point. If not, I'm certain that Moffat would have taken the opportunity to tell people that was his intention in some interview or another.

What this episode really needs is a solid ending. A good story needs to be structured in such a way that we have Introduction, Investigation, Escalation and Resolution (More info on what I mean here). This episode shows the first three to varying degrees, but there is no real Resolution phase, at least not from The Doctor's perspective. I can't fathom The Doctor abandoning his theory without knowing for sure.

This episode is blissfully free of my other major issues, but without a definite story, it will always just feel like filler.

Just an afterthought...

I know everyone is debating whether there was a monster or not, but to me there is another more interesting question; was the kid really The Doctor? I like to think it was actually The Master. The boy appears to have similar dark hair and could be crying due to his experience looking into the Untempered Schism. That all depends on at what point in the initiation into the Academy the youngsters are made to face the Schism though.

Crying is the first sign of hyper-insanity

Either way, I hope my theory that Missy is actually The Master regenerated and gender-swapped is true and she whips out Dan The Soldier Man at some point. That'd be ace.

Review - Into the Dalek

Capaldi settles into his version of The Doctor and Clara sets her sights elsewhere as an old enemy returns in Into the Dalek.

Season 8, Episode 2, Into the Dalek.

Things start with a bang, as we see yet another large scale cold open which shows off the special effects budget. This one worked considerably better than the dinosaur at the start of Deep Breath though, in that it was better integrated into the overall story. We pick up where we left off (sort of) as The Doctor has picked up the coffee Clara demanded at the end of Deep Breath.

From there things are set up solidly as we are introduced to a magic shrink ray and The Doctor gives a nod to the obvious inspiration for this episode, the 1966 film Fantastic Voyage (or was it 1987's Inner Space?). Of course I'm seeing a few things in this episode that I've seen before. The Doctor's initial encounter with the titular creature is very reminiscent of Nine's meeting in the Season 1 episode Dalek. Once we get inside the Dalek, we see robotic antibodies again, much like in Season 7's Let's Kill Hitler. The sets were nice though. They seemed somehow realistic and delightfully cheap at the same time.

Things play out as you would expect with miniature people running around inside a cybernetic alien killing machine, culminating in a fairly predictable result once their goal is achieved. The Doctor's little mind-meld took a wonderful turn, playing nicely into the "am I a good man?" theme they seem to be setting up for this season, and was hammered home with one line from Rusty.

You are a good Dalek.

Ouch! You need some aloe for that burn, Doctor?

One thing I didn't really appreciate was being taken out of the story so abruptly just to wave the whole Missy season arc in my face again. It seems they are going to handle it in a similar way to the Madame Kovarian tease from Season 6. I don't recall the Kovarian tease being quite so jarring though. Generally she peered through the hatch during slower parts of the story. Throwing from a tense climax to the "heaven" bit just felt wrong. Perhaps that was the point. Either way, I think I like my season arc hints a bit more subtle than this.

Please stop.

We see more of a shift in dynamic between The Doctor and Clara this episode too, which is summed up neatly when she refers to herself as his "carer". That was actually pretty funny, but very telling at the same time. Is she bitter about his apparent aging? Now that The Doctor is off the table, they are setting up some kind of clumsy relationship with Clara's co-worker Danny Pink. And what was with all the sexual innuendo around Danny? It made no sense to me.

But why does The Doctor have a hatred of soldiers now? The Brigadier was a soldier, and The Doctor was all set to call on him in A Good Man Goes to War. I sincerely hope they are not setting up some reason why The Doctor can dislike Danny just so he can appear jealous of Clara. If it plays out more paternally, it would be okay, but even paternal feelings for Clara would feel a bit out of place in the face of the detached alien coldness we've had the past two episodes.

Overall it was a thoroughly entertaining episode, and I think it tops most of what we've had for the past few seasons. I wouldn't call it exactly perfect, but certainly close.

9/10

Can we fix it?

This one just needs a couple of tweaks, and not even to the main story. Both the Danny Pink set-up and the Missy scene caused pacing issues for me. We were thrown into a pretty hectic start only to be swept off to a hum-drum day at work for Clara and Danny, and I've already mentioned the jarring affect of the Missy scene.

These abrupt gear changes were disconcerting and could have been either removed (the Missy scene) or shortened (Danny's introduction), but I'm not entirely sure what you would fill the time with. There's not much else I can think of that could cause issues for the group inside the Dalek without just rehashing those antibodies again.

Danny's introduction also seemed a bit ham-fisted. They are clearly hinting at a tragic past for him, but the set-up was clumsy. He's obviously supposed to have taken a civilian life at some point, and I'm strongly suspecting all the innuendo about him being a bit of a player was just there to set up the line about him being a "lady killer." In this case, I feel we are going to find out this is quite literally what he is.

Without knowing for sure what the plans are for Danny, I couldn't guess at how to tighten this up, but maybe some more on why people may think he's a ladies man would have given their comments more context and made it all seem less strange and, quite frankly, creepy.

One other small tweak would be to not have Rusty talk about destroying the Daleks until after he gets a does of The Doctor's brain. At the start he should be talking about how the Daleks needed to be stopped, that what they were doing was wrong and futile. This would be enough to stop the resistance killing it, and to get The Doctor interested. In the end, by trying to restore that attitude, he actually pushes Rusty too far back the other way. I think that would have worked well.

Review - Deep Breath

The Doctor suffers the usual regeneration confusion in the first episode of Peter Capaldi's run, Deep Breath.

Series 8, Episode 1 - Deep Breath

Sorry for the delay on this one, but I've posted some initial thoughts over on Geek-O-Rama.net. Below is the same review, with my suggested fixes as always.

Much like previous regeneration episodes of the New Who, we spend most of the time seeing the doctor getting his head around who he is now. He spends much of the first half of the episode being confused and forgetful. At the same time Clara spends the first half of the episode not knowing how to handle The Doctor's change to an older form.

We touch again on the theme of Companion abandonment, both physical and emotional, as Clara comes to terms with The Doctor's wholesale change and later when he runs off, gets a taste of that "what now" feeling we've seen companions deal with before.

It's made clear fairly early on that there will be no hanky-panky with this Doctor, leading to the final scene in which he makes it emphatically clear that he is not Clara's boyfriend. Early on, Vastra lays it down wonderfully, putting Clara, and by proxy certain segments of the audience, in their place.

For all her protestations, much of Clara's issue with The Doctor's regeneration does seem to relate to physical looks, so that whole scene is quite gratifying in many ways. On the other hand, Clara's implication that she's into older blokes could be a worrying indication that we've not seen the end of Hunka Hunka Burning Doc.

But how could he possibly have adventures in space and time when he's so... grey?

Bringing the Clockwork Men back was an odd choice and I'm not sure how I feel about it. I always thought more could have been done with them, but this felt a bit ham-fisted. Why did they need to be from a sister ship? In The Girl In The Fireplace it was established that it was the destruction of the mission computer that caused the maintenance droids to start cannibalising the crew. Are we to believe this happened twice? I'd have rather seen this as the same group of droids that had all come through a time window and become trapped. I'd hesitate to file this under Needlessly Recurring Monsters as this was only their second outing, but they were clumsily brought back, which is a characteristic of that particular problem.

Sure, I could have harvested a whole face, but where's the fun in that?

The dinosaur was a bit of a nothingness though. It served almost no purpose in furthering the story, apart from a very public immolation. I suppose it did bring the Paternoster Gang there, but I suspect a blue box crashing into the middle of Victorian London would probably have done the same thing. Not exactly a Too Many Monsters type situation, but more of a red herring.

Don't look at me. I'm irrelevant.

This episode went to great lengths to show the parallels between The Doctor with his multiple regenerations and the Clockwork Man with the constant replacing of its own parts. The broom analogy was a good one, which coincidentally I had seen used only recently as I read Terry Pratchett's I Shall Wear Midnight. I'm not sure if the silver tray scene was taking this too far or not. I think I liked it though. I do worry that this "who am I" business will become a sub-plot that takes up too much of this season.

There are a few choice In-Who-Endos between Vastra and Jenny, but nothing excessively crude. I even chuckled at a few points. Sadly, by involving Clara in these, Vastra and Jenny's relationship is somehow marginalised. The cool thing about Vastra and Jenny's relationship was not that is was a cross-species same-sex one, but that it was seemingly strongly monogamous. By showing that Vastra is into other girls too, really ruins what was a lovely duo.

Please ignore my wife and get nekkid.

And finally The Doctor thinks to ask the question he should have done in The Bells of Saint John. Who gave Clara his number? This really is all the tease for the season arc that we need. Unfortunately that's not spoon-feeding us enough, so they elected to have an entire epilogue scene introducing Missy, the Gatekeeper of the Nethersphere. In a far more tragic turn of events, she refers to The Doctor as her boyfriend. Goddamnit!

A couple of other minor concerns, I noticed The Doctor said "that's not the question" a couple of times. I'm not sure if that's just a one-off for this episode, or if it will become his Annoying Catchphrase. If it does, it's not as bad as it could be, although I'll reserve judgement until I've seen it used a few more times. There was also a touch of Deus Ex Screwdriver with the revelation the sonic is voice activated now.

And I just need to take a second to comment on the new opening credits. Do. Not. Like. There's a hint of something interesting there, but all the cogs and clocks is just a bit too clichéd for me. There's nothing wrong with the good old time vortex with flying names. It's a classic for a reason.

As nice as it was to see Capaldi take on the mantle of The Doctor (and I think he did it well), this episode was just too riddled with issues to score particularly highly from me.

6/10

Can we fix it?

First up, some easy fixes. We dial back the innuendos from Vastra and Jenny a bit, and remove any hint that Vastra is hot for Clara. There's enough comedy in this episode without it. Also, completely remove the final scene with Missy. It was unnecessary and the episode was already significantly over time.

I've already alluded to some of the changes I'd make to the whole Clockwork Men thing. Replace the reference to them being from a sister ship of the SS Madame De Pompadour. It didn't help The Doctor to learn this, and was only there to explain their reappearance to the audience. I'd make them from the same ship, but they got caught outside a time window (or even halfway through) when The Doctor shut things down. This would mean they were hanging around, not for thousands of years, but only a century or so. Enough time to wear out and begin the process of replacing their own systems with human parts, but still retain some clockwork.

Their origin could be revealed during The Doctor's dialogue with the Control Node, removing the need for the naming of any ships. If it was scripted well enough, things could be relatively obscure, whilst at the same time making the audience aware of the link to the previous episode.

"We were seeking replacement parts to repair damage to our ship. Our time windows were destroyed, but our ship still awaits us. We determined to wait."

It makes little sense for the clockwork robots to harvest human parts to make anything when they are trapped in a resource-rich environment. It worked when they were trapped in space, but on Earth in any timeframe they would have access to raw materials they could fashion parts out of. By highlighting that they are attempting to remain hidden until such a time as they can return to their ship, they sort of justify this behaviour again.

This would also mean the Control Node would have to have a whole face. If he absolutely needed to have half a face to show his mechanical nature, he should have a reason for that such as damage to the skin, as well as try to conceal it. To this end, I'd have his first on-screen victim be shown to claw at his face tearing some of the skin off. After that he would be seen wearing a Phantom of the Opera style half mask, which would harken back to the original appearance in Season 2.

With some further explanation from the Control Node about how over time they found their systems began failing. They originally manufactured mechanical replacements but started using human parts in order to blend in. Stories had begun to circulate amongst the lower classes about murderous and ghoulish nobles who would steal your flesh and couldn't be killed. At this point they fled France, but it didn't stop the revolutionaries cutting the heads off of a lot of nobles. But the human bits have a short lifespan, and need more regular replacement., leading to the harvest restaurant.

Everything else could play out the same way, even the flying escape pod and the cheesy impalement on Big Ben.

Honestly though, these guys better not show up again. They are supposed to be unique enough to make The Doctor geek out over them. Let's keep them that way.

Season 8 full length trailer

The BBC have dropped the first full length trailer for Season 8. Check it out below:

First off, YAWN! Leading with a Dalek. I know they have to put them in every year for licensing reasons, but come on. That said, I don't think I recognised any of the other monsters or villains that appeared. Glad to see the Paternoster Gang in there, although they are also verging on overused now. But then there was this:

Someone better be riding this thing

I'm guessing that will be a part of the same episode as the Paternoster Gang, with the Dinosaur rising from the depths of the old Silurian Empire. We also get glimpses of a cybernetic guy, a robot knight and some sort of bug-eyed alien, so the creature diversity seems to have stepped up a bit.

The trailer seems very much focussed on the "what type of Doctor is he now" question. I recall when David Tennant first came on the scene, we had the same quandary, but it was well and truly resolved by the end of The Christmas Invasion. I kind of hope all of that is from the first episode of the new season, because it's not a theme I think has much longevity to it.

Either way, fun times ahead.