Showing posts with label Torchwood. Show all posts
Showing posts with label Torchwood. Show all posts

Wednesday, 20 August 2014

Season 2 wrap-up

With my reviews of Season 2 complete, it's time for another season wrap-up.

My scores

Episode 1 - New Earth                         5/10
Episode 2 - Tooth and Claw                 8/10
Episode 3 - School Reunion                  9/10
Episode 4 - The Girl in the Fireplace   8/10
Episode 5 - Rise of the Cybermen         8/10
Episode 6 - The Age of Steel                 8/10
Episode 7 - The Idiot's Lantern             8/10
Episode 8 - The Impossible Planet        8/10
Episode 9 - The Satan Pit                     8/10
Episode 10 - Love & Monsters             5/10
Episode 11 - Fear Her                          7/10
Episode 12 - Army of Ghosts               9/10
Episode 13 - Doomsday                       8/10
                              Season Average = 7/10

After a poor start with New Earth, we settled into a fairly solid season until Love and Monsters sends it all crashing back down. We didn't quite get any 10/10 this season, although School Reunion was very, very close.


Yes!


No!

Ongoing problems


How does this season stand up with regards to my pet peeves? Well, Season 2 saw:


We see a continued reliance on the Sonic, with three episodes using it in silly ways or having to specifically lock it out. However, this was balanced by several episodes where The Doctor used other devices to achieve a goal that I feel in more recent times he would have used the Sonic for, so that was nice.

Overall, the instances of these problems seemed to be less frequent this season, which could have contributed to the fairly consistent high scores I've given them. The main fixes I applied to these episodes have been tightening up the story and closing plot holes.

Season Arc


The Torchwood arc started off rather subtle, but like the Bad Wolf arc, the hints sometimes felt forced.


Subtle is good.

All up, the concept of Torchwood was probably a little easier to work in to the various stories than the phrase "Bad Wolf". References to Torchwood all seemed relatively natural, apart from maybe The Captain's reference in The Satan Pit. I suppose it also helps that Torchwood is an organisation that can have an impact on many aspects of The Doctor's adventures.

References to the series arc were far more sparse this season, with just under half the episodes featuring a reference (6 out of 13), compared to nearly all episodes in series 1. The first mention of Torchwood in Season 1 could go unnoticed, but its impact in The Christmas Invasion makes it clear that whatever it is, it's powerful and possibly dangerous. Our first reference in Season 2 proper outright states what it is, so although we are yet to see what Torchwood becomes, we already know from the outset broadly what it is.

Could this have been handled differently? Maybe. If the origin reveal had come later in the series, the references would have been a bit more mysterious. Swapping Tooth and Claw with Fear Her could help a lot, meaning that by the time we see Torchwood's origin, we have already been teased with multiple Torchwood references. We would also jump straight from that origin to the modern organisation in Army of Ghosts.

Either way, easing up on the number of references and making them feel less forced improves the series arc tease immensely, and makes it feel a lot better integrated into the individual stories.

Wednesday, 23 July 2014

Review - Doomsday

It's double the classic foes as Daleks and Cybermen clash with humanity trapped in the middle in Doomsday.


Season 2, Episode 13 - Doomsday

This episode picks up where Army of Ghosts left off, just as the Daleks escape the Void Ship. Rose and Micky stare them down as Rose postpones their inevitable slaughter by showing she has a strategic use. Meanwhile, the Cybermen begin their conquest of Earth as The Doctor stands by helpless. Of course our old friend Angry Doctor shows up again briefly as he explains why humanity is resisting.


I'm a bit cross!

As the Daleks extract Raj's brainwaves for intel, desiccating him in the process for some reason, the Cybermen move in to investigate. The resulting confrontation is one of the funniest moments in New Who. Two supremely confident murderous races in a stand off refusing to back down. Some of the lines delivered by the Daleks in this verbal fracas are a little off base. A little too blusterous and even witty. This is a bit off-putting until later when we learn from The Doctor that these Daleks are special.

The Cult of Skaro is an interesting concept, and works quite well despite being very un-Dalek. Most large militaries have similar units for, well, I suppose it's R&D. Whilst the Daleks are supremely confident of their might, it makes sense even they would want to work out better ways to EXTERMINATE! It also makes sense that such deviant behaviour be kept secret, regardless (or even because) of the benefits it offers.

After discovering The Doctor is on the scene, the Daleks begin powering up this episode's MacGuffin of choice, the Genesis Ark, as Rose and Mickey try to work out both how to get out of their predicament and why they aren't yet dead. Turns out the Daleks need a time traveller to activate the Ark because it it Timelord tech. Here's the major flaw in the Dalek plot. If Rose and Mickey weren't there, how were they planning on doing this? Fly around the Universe hoping to find a time traveller?


I was sure there was one here last time we visited.

The Doctor is held for questioning as Jackie and Yvonne Hartman are marched off for Upgrading. The Doctor is freed by a squad of dimension-jumping commandos led by some old friends from Rise of the Cybermen / Age of Steel, and gives a bit more plot exposition about the Void and how all this dimension jumping is irreparably damaging both universes. Hartman marches bravely to her doom, claiming she "did her duty for Queen and Country", before the death of the Cyber Commander allows Jackie to slip away.

Just as Rose is about to capitulate and touch the Genesis Ark, The Doctor rolls up, but not before Rose has a chance to drop some proper bad-assery on the Daleks, referencing the Bad Wolf arc and revealing she killed the Emperor Dalek. The Doctor rescues Rose and Mickey, managing to get a little joke about the Sonic in while he's at it.



Doesn't Kill, doesn't wound, doesn't maim. But I'll tell you what it does do.It is very good at opening doors.

But Mickey messes up and accidentally starts the Genesis Ark opening. This leads to a significant battle between the Daleks and the remaining Humans and Cybermen as the Daleks attempt to exit the building. Long story short, an entire Time Lord prison ship's worth of Daleks spew forth from the Ark and begin to EXTERMINATE!

After a rather uncomfortable reunion between Jackie and Dave, The Doctor reveals his plan to suck everything back into The Void. This relies on the fact that everything that's been through The Void is covered in "void stuff." This is particularly grating, because The Doctor has already gone to great pains to describe how The Void has nothing in it, not even time. So what is the "Void Stuff" then? Also, why do Cybermen who have been upgraded in this universe also have it?

Quite apart from that, the plan works, and all of the invaders are forcefully ejected from the universe. However Rose almost gets sucked out too, only to be saved last minute by a dimension-jumping Dave, leaving The Doctor alone on this side. This leads to the scene voted the greatest moment in Sci-Fi, Horror and Fantasy. The emotion is turned up to 11 as The Doctor says farewell to Rose via a projected image. Despite being slightly over the top, it's a brilliant close to Rose's time with The Doctor.

This one's not exactly a favourite, but pretty re-watchable.

8/10


Can we fix it?


I'm not sure there's a lot to do here. As I said previously, making Yvonne Hartman a bit more officious would have improved her final redemption. If it was made clearer early on that duty is her main drive, her ability to retain that after upgrading would work a little better. I'd also like to have seen her more deflated when she realised there was no winning against the Cybermen.

I'm not sure if a bit of pleading would have been too much before the final acceptance, but I think a little exchange with the Cybers on doing her duty could fit nicely.
Y: I did my duty for Queen and Country. I always did my duty.
C: And that will not change.
And a slight tweak to her repeated phrase from "I did my duty" to "I will do my duty" reinforces this. It gives us a little bit of doubt on why she retained control. Was it pure willpower, or some kind of programming loophole. The tears would just add to the fuzziness.

The only other thing that needs clearing up is the Cybers created in this Earth. I think a quick line during The Doctor's epilogue in Bad Wolf Bay could tie up that loose plot thread. Something along the lines of "There were a lot of humans who had been upgraded using components from the alternate universe. It was... messy."

A good season ending and a great way to send off a companion.

And introduce a new one.


Tuesday, 10 June 2014

Review - Army of Ghosts

The season finale stakes are raised as not one, but two old enemies return to plague The Doctor and Rose, starting with the first instalment, Army of Ghosts.


Season 2, Episode 12 - Army of Ghosts

Right from the cold open we see this is the end of Rose. Not only does she lets us know we are about to see how she died, this is rammed home with a rather blatant shot of The Doctor asking how long Rose will be staying and her answering, "For ever." Having Rose narrate this opening gives it a touch of The Companion Show, featuring The Doctor. Of course, the reboot started very much from Rose's perspective, so her departure using that perspective is fairly natural.

The Doctor and Rose arrive back in London in time to witness an appearance of the now commonplace Ghosts. Jackie believes one of the Ghosts to be her long dead father, but The Doctor immediately brings her back to reality, theorising that something is pressing itself into our world. The Ghost's origins are rather quickly spoiled for us viewers with some cutaways of Torchwood doing their thing, complete with a familiar face


Hello, I'm Totally-Not-Martha

Of course, they could still be actual ghosts, even if Torchwood are responsible for it, right? Well, no. We get a pretty clear shot of a Cyberman early on as they attack Totally-Not-Martha. I feel it could have been better if this was left a bit more mysterious, keeping the blurry silhouette behind the plastic. Of course the ear buds could be a bit of a give away, but all the workers are wearing them, and if subtly shot, it would work quite well as a tease for the quicker viewers.

Add to that another of Torchwood's toys, The Sphere. It has a nice chunk of exposition which was delivered reasonably well and is set up as nicely menacing. The science doesn't really work, but that actually works to its advantage.


"As a scientist, nothing scares me more than poor science."

The Doctor manages to use some doohickeys (again, not the sonic) to follow the ghost energy back to Torchwood. Having him take Jackie and pass her off as Rose was quite funny but did highlight the Hot Young Things Only Policy he seems to have. 

Their introduction to Torchwood plays out well and all of the "showing off" manages to introduce some key elements for the resolution of the story in a relatively natural way. The Doctor's reaction to the sphere, now identified as a Void Ship, shows us this is something to fear perhaps more so than the ghosts themselves. And I actually love Yvonne Hartman's reaction to The Doctor here.
Oh, exactly as the legends would have it. The Doctor, lording it over us. Assuming alien authority over the rights of Man.
And that's it, isn't it? It's fine when The Doctor messes about with something just because it's there, even if he doesn't know what he's doing. Nobody else is allowed to though. They are all too stupid.

Rose manages to sneak off to do some investigating on her own, psychic paper in hand. Apparently that stuff seems to work on ID card readers now. That was a bit annoying, but easily explained away, I suppose.


There's a brain in every door. 

And although things don't go exactly as planned for Rose, we get a nice little surprise with the return of Mickey, now with even more badass skills. God I love Mickey. The poor bloke had is so hard for so long. It was good to see him develop far beyond the joke he was at the start.

Anyway, as things start to predictably go wrong, we see the ghosts are in fact an army of Cybermen invading from the alternate universe seen in Rise of the Cybermen / Age of Steel. Mickey assumes the occupant of the Void Ship is some kind of Cyberman Leader, but in the closing moments we find out it is in fact...


Yep. Those guys again.

Overall, this has some good pacing. As I've said before, pacing is usually less of an issue in two-parters though. Apart from going a bit too early on the full Cyberman reveal we are brought through what is essentially a whole bunch of plot exposition and set-up for part two with no real padding or boring bits.

It was fun to see The Doctor put in his place a bit. He's always interesting when he's on the back foot. Yvonne was a bit weak as a pseudo villain though. Seems they tried to make her more of an officious manager than the domineering head of a secret alien-hunting task force. There were glimpses of that character there, but not really enough.

A good beginning of the end for Rose, and definitely worth subsequent viewings.

9/10


Can we fix it?


Only a few tweaks needed here. Simplest change is to lessen the initial Cyberman reveal to keep them secret a bit longer. A bit of classic monster-vision could have worked, or just the close up scream shot. The first time we should see any bit of an actual Cyberman is when they burst through the plastic sheeting in classic Tomb of the Cybermen style. This means watchers who haven't guessed from the earbuds or the sounds of upgrades are still reeling from this reveal as the invasion happens only to have that compounded by the emergence of the Daleks from the Void Ship.

Mostly I'd like to see a bit of a change in Yvonne Hartman. I feel she would have been better played as a bit of a cold-hearted bitch who slaps on the friendly façade as a "management tool". I reckon she may have been written like that but it didn't come through in the performance.

The dual personalities could easily work with little to no change in script. When Yvonne asks for hospitality to send Raj something she sounds friendly, but when she specifies "not alcohol" it's delivered as a bit of a joke. I think changing the delivery of this line to be more mean spirited would change the time of the character entirely. It goes from "get him something to cheer him up, but no booze because that could make him worse LOL!" to "get him something to distract him from the tedium of his task because that's bad for productivity, but not booze because we can't have too much fun."

There are points where Yvonne seems to drop the friendly exterior, such as when Jackie talks about using the gravity clamps to carry shopping, and when The Doctor demands they return the sphere to the void. Sadly she only gets a little condescending or snappish. It would be good to see this happen with the staff too. Maybe being a little more catty when Adeola and Gareth go off for their little liaison.

It would be nice to see that friendly mask slip more and more as the episode progresses. Eventually she is left ineffectually fuming at her loss of control, showing her as one of those bi-polar office tyrants that are your best mate when things are going well but go insane when things don't go their way.

Imagine someone like that in charge of a secret paramilitary alien hunting organisation.

Terrifying.

Friday, 7 February 2014

Review - The Idiot's Lantern

We touch on themes of domestic violence and women's liberation in post-war Britain in The Idiot's Lantern.


Season 2, Episode 7 - The Idiot's Lantern

As I said above, this story touches some interesting topics beyond the main storyline of a parasitic energy being from outer space. Mr Connolly is clearly a nasty piece of work, mentally and physically abusive of his family, not to mention the kind of bloke who spies on and rats out his neighbours.

In many ways it feels as if Mark Gatiss is speaking to his own father with many of the lines here. It certainly seems to have it's basis in reality. Or maybe I'm just relating to it on some deep level. Either way, these kind of smaller, human problems intermingling with the larger intergalactic menaces make for far more engaging stories in my opinion. They show The Doctor doesn't just fix the big problems, but helps fix people too.


He does this by getting angry

This particular intergalactic menace is The Wire, a very hungry creature who is giving people cheap TV in order to suck their faces off and create a new body during the Queen's coronation. The Doctor first realises something is wrong when he notices all the TV antennae around. I'm not sure if the shape of the aerials was symbolic, but if it was I can't think what they could be getting at.


Something about license fees, maybe.

The Wire is a nicely creepy Big Boss, and its evil plot is solid, but the goons are yet another zombie style monster. The one thing that saves it is the fact that whilst the faceless people are slowly revealed in the same manner as a monster, they are in fact the harmless victims of the real monster. It's actually quite a nice red herring for The Doctor to follow, and plays out well.


Good thing these suit trousers are brown.

Interestingly, the basic premise of a disembodied entity stealing people's essences was recycled in the much poorer episode The Bells of Saint John. Having re-watched this episode, it further highlights the deficiencies in that story, which suffered major pacing issues as well as from having a stupid monster.

None of my usual gripes appeared in this episode, apart from a hint of Deus Ex Screwdriver when The Doctor uses it to scan for brainwaves. It's a bit sad that I'm desensitised to the Sonic being used like this now. Ah well.

So yeah, this is a solid episode that offers a multifaceted story. The Torchwood reference was subtle, and the whole thing moved along nicely to a happy ending for most of those involved.

8/10


Can we fix it?


No, not really. It's not going to be a fan favourite, but this is a solid plot with no major weaknesses. I'd probably leave it as is.

Monday, 18 November 2013

Review - Tooth And Claw

The Doctor and Rose take yet another jaunt to the Victorian era, this time in Scotland so the new Doctor can take his native accent for a spin in Tooth and Claw.


Season 2, Episode 2 - Tooth And Claw

We open on a precession of sinister looking monks. We know they're shifty because they're all wearing black hooded robes. Well, for a while, anyway. The black is soon shed in one of the most genre-wrenchingly random moves I've ever seen, as the monks bust out some  Shaolin wire-fighting Kung Fu action.



History's coming to life!

The Doctor and Rose appear in Scotland just in time to meet up with Queen Victoria herself. I can see why there is so much crossover between Whovians and Steampunks. The Doctor does seem to spend an awful lot of time in the age of steam. Pauline Collins was far from a dead ringer for Vicky. They could have padded her up a bit or something. Still, she did a top job. 


Not a lot of Maccas on the road to Scotland.

Hong Kong movie tricks aside, this is only a slight twist on a classic monster movie plot. People alone for the night in an isolated manse at the mercy of The Wolfman. Lycanthropy as an alien inteligence was an interesting concept, and was exposed reasonably well over the course of the episode. Sir Robert's story telling was maybe a bit of a clumsy or rushed way of getting the background out there, but within the constraints of the 45 minute format, there's very few ways of doing that.

The werewolf effects were very good though. The change scene was slick and the creature itself was very natural looking, with only the occasional bit of dodgy movement.


Don't mind him. Time of the month, you know?

The idea of a trained allergy to mistletoe as a means of control was inspired. If the monks worship the Werewolf, though, why do they feel they need to control it? If the creature itself is aware of the plot to infect Queen Victoria and is clearly a willing participant, why is it being hauled around in a cage?
I liked the use if the Koh-i-Noor diamond in the solution. I also adored the fact that the solution was not The Doctor's, but had been devised years before by Prince Albert and Sir Robert's dad. The Doctor only had to put the pieces together. 


I believe the term is "Pew! Pew!"

Of course the big reveal of this episode is the creation of Torchwood, which as we know, is the season arc for season two. This one is by far the least subtle season arc hint of them all. The Queen's detailed explanation of her plan to set up an institute to fight aliens was verging on Bond-villain monologue.


More than enough of a hint without a word being spoken.

Despite the unanswered questions about the monks and their relationship with the creature, this is a very watchable episode. The pacing was good and the supporting characters, with the possible exception of Father Angelo, are all strong and well performed. All up, quite re-watchable.

8/10


Can we fix it?


Only a couple of tweaks needed here, really. As we are already taking the time to tell stories around the dinner table, surely Father Angelo could have given us a bit more of an indication of his part in the whole thing. It'd be tough to balance with The Doctor's research in the library scene. A nice subtle hint at the end of Sir Robert's chunk of plot exposition would have been better than having a little sing-song.


Tuesday, 22 October 2013

Review - The Christmas Invasion

After a little break, I'm back with the retro reviews, so off we run with a brand new Doctor in the first of the annual Christmas Specials, The Christmas Invasion.



Christmas Special 2005 - The Christmas Invasion

We begin presumably not long after the closing scenes of The Parting of the Ways, with The Doctor still in the throes of Regeneration. We also kick things off with one of the most laboured executions of the "Doctor Who?" line ever committed to screen. Seriously, even with The Doctor's new face, it just doesn't seem like something Jackie would say at that point. That pales into insignificance next to the outrageous In-Who-Endo she delivers in the next scene. I know I've let Jackie off on the Hunka hunka burning Doc front before, but this is just silly.


Is there anything else he's got two of?

Mickey gets to show off his newly found hacking skills, lessening his perceived uselessness in the ensemble. He has a good crack at the Deathmas Tree too. Say what you will about him, he's got guts and heart to spare.

U.N.I.T. really shine in this episode. A very slick military operation. I quite enjoyed the casual way they talked about alien life, ensuring some continuity with classic Who episodes from the Third Doctor years and onward. In many ways I'd have liked to see U.N.I.T. get a spinoff over Torchwood.


Like S.H.I.E.L.D. only with a better acronym.

Speaking of Torchwood, they are heavily referenced in this episode, with clear implications that they are a secret organisation with access to alien tech. It was a solidly integrated reference, rather than a random word thrown in. It played a part in the story, even if it was to seemingly throw Harriet Jones under the bus.

Harriet Jones as Prime Minister was a nice touch, but the catch phrase / running joke was grating from the outset. Despite that, they manage to make her believable as a strong, decisive leader. Mostly they do that by having her stick it to the US, which reminded me somewhat of Hugh Grant in Love Actually.

They were really pushing the continuity with this one though. Nine tells us that Harriet Jones PM leads Britain to a Golden Age. Then, what can't be more than nine months later, despite Jackie referencing Britains Golden Age, Jones' supposed "three successive terms" evaporate thanks to The Doctor. I guess he's not all that interested in maintaining history. Of course they could already have been looking ahead to the Season 3 Saxon arc, but I'm not sure I can give them the benefit of the doubt on that one.

The timeline is a bit iffy here anyway. I'm not sure nine months is enough time to plan, build and launch a Martian space probe, much less for it to get there. But this is a science fiction show, after all, so let's just ignore that for the time being.

This episode has a case of Too many monsters, with the crew facing the "Pilot Fish" Santas and the Deathmas Tree which are both quickly discarded when the Sycorax turn up. None of the monsters are particularly threatening and don't have a chance to shine. The Santas are just Auton clones and the tree, whilst the most physically threatening of the three, was gone as soon as it appeared. The Sycorax themselves were a bit lame. If the Earth could be defended by a sword fight, there are plenty of humans who would have done as well as The Doctor. Of course it took him to know he could challenge. 

The whole thing was very Doctor light too. He spent most of the time unconscious and when he was awake he put a lot of effort into making sure we all knew he didn't know who he was. To a degree this is for the benefit of newer fans who aren't familiar with Regeneration, but it's almost as if they hasn't worked that out themselves yet. With such little screen time The Doctor is given no chance to show us who he is now. I'm left feeling that who The Doctor is, is angry.


Angry Doctor.
Get used to this sight.

So, a reasonably entertaining episode, albeit with a few flaws. Not a favourite, but still re-watchable.

7/10


Can we fix it?


I think the first fix here has to be the monsters. The idea of the Santas being like pilot fish was interesting, but ultimately made little sense in the context of the Sycorax being the shark. The Sycorax were drawn to Earth by the Mars probe, not The Doctor's regeneration energy, which created a disconnect between both races. Ideally the Sycorax should be demanding Earth hand over the source of the energy, unaware that it is The Doctor, perhaps thinking it's the TARDIS. They would still take the Martian Probe, allowing the whole blood control thing, but realisation of where the energy is coming from would only come when The Doctor regenerates his lost hand.

This opens up some interesting options for The Doctor to realise that whilst he may save the Earth, he is also endangering it. We could even have Harriet Jones use this as justification for using Torchwood to destroy the Sycorax.

"You brought us to this, Doctor. I was defending us from a threat you brought down on us."

Shooting someone in the back is one thing, but shooting them in the back and then blaming someone else is another thing entirely. Especially when your words have the ring of truth.

Resolving the timeline issues is tougher, but could be fixed by bumping the timeline forward a fraction more. It would be hard to jump an additional 12 months, but that may make things easier to swallow with regards to Harriet Jones. Another option would be to simply not have her as PM yet. Nothing said she needed to begin her reign immediately after World War Three. Of course with all that happens in the resolution of the Saxon Arc, that causes all sorts of other issues. That said, if Jones was still PM at the end of this, the Saxon Arc could play out entirely differently, with Saxon battling Jones for the top job using his knowledge of the future. That could have been fun.

The timeline stuff I could live with, but the changes to the monster situation would make it a much more cohesive episode.